“Valéry used to speak of those people who die in an accident because they are unwilling to let go of their umbrellas; how many subjects repressed, refracted, blinded as to their true sexuality, because they are unwilling to let go of a stereotype.”

“In front of the photograph of my mother as a child, I tell myself: she is going to die: I shudder, like winnicott's psychotic patient, over a catastrophe which has already occurred. Whether or not the subject is already dead, every photograph is this catastrophe.”

“What pricks me is the discovery of this equivalence. In front of the photograph of my mother as a child, I tell myself: She is going to die: I shudder… over a catastrophe which has already occurred. Whether or not the subject is already dead, every photograph is this catastrophe.”

“As a jealous man, I suffer four times over: because I am jealous, because I blame myself for being so, because I fear that my jealousy will wound the other, because I allow myself to be subject to a banality: I suffer from being excluded, from being aggressive, from being crazy, and from being common.”

“The Photograph is violent: not because it shows violent tings, but because on each occasion (i)it fills the sight by force(i), and because in it nothing can be refused or transformed (that we can sometimes call it mild does not contradict its violence: many say that sugar is mild, but to me sugar is violent, and I call it so).”

“Disappointment of various places and trips. Not really comfortable anywhere. Very soon, this cry: I want to go back! (but where? since she is no longer anywhere, who was once where I could go back). I am seeking my place. Sitio.”

“Like man himself, who is the only one not to know his own glance, the [Eiffel] Tower is the only blind point f the total optical system of which it is the center and Paris the circumference.”