“—You have never known a Woman’s body!—I have known the body of my mother, sick and then dying.”
In this quote by Roland Barthes, he emphasizes the difference between simply having a physical relationship with a woman's body and truly understanding and knowing it. By comparing it to his experience with his mother's body while she was sick and dying, Barthes conveys a deeper meaning of personal connection and vulnerability. This quote conveys the idea that true understanding and intimacy go beyond physical experiences and involve emotional and personal connections.
In this quote by Roland Barthes, he highlights the unique bond and understanding one can have with a woman's body, particularly through the lens of motherhood. This resonates in modern discussions around women's health, reproductive rights, and the societal perceptions of women's bodies.
"―You have never known a Woman’s body!―I have known the body of my mother, sick and then dying.” - Roland Barthes"
Reflecting on this quote by Roland Barthes, consider the significance of the connections we have with women in our lives. How do our relationships with women shape our understanding of their bodies and experiences? How can we strive to empathize and connect with others on a deeper level, beyond physical experiences or appearances? What does it mean to truly know and honor someone's body, beyond mere physicality?
“But I never looked like that!’ - How do you know? What is the ‘you’ you might or might not look like? Where do you find it - by which morphological or expressive calibration? Where is your authentic body? You are the only one who can never see yourself except as an image; you never see your eyes unless they are dulled by the gaze they rest upon the mirror or the lens (I am interested in seeing my eyes only when they look at you): even and especially for your own body, you are condemned to the repertoire of its images.”
“I encounter millions of bodies in my life; of these millions, I may desire some hundreds; but of these hundreds, I love only one.”
“In front of the photograph of my mother as a child, I tell myself: she is going to die: I shudder, like winnicott's psychotic patient, over a catastrophe which has already occurred. Whether or not the subject is already dead, every photograph is this catastrophe.”
“What pricks me is the discovery of this equivalence. In front of the photograph of my mother as a child, I tell myself: She is going to die: I shudder… over a catastrophe which has already occurred. Whether or not the subject is already dead, every photograph is this catastrophe.”
“I feel that the Photograph creates my body or mortifies it, according to its caprice (apology of this mortiferous power: certain Communards paid with their lives for their willingness or even their eagerness to pose on the barricades: defeated, they were recognized by Thiers's police and shot, almost every one).”
“Are not couturiers the poets who, from year to year, from strophe to strophe, write the anthem of the feminine body?”