“There are hours for rest, and hours for wakefulness; nights for sobriety and nights for drunkenness—(if only so that possession of the former allows us to discern the latter when we have it; for sad as it is, no human body can be happily drunk all the time).”

“The tragedy of Dionysus: Wear a black robe at night, and white you’ll wear by morning; but wear a purple robe to the midnight feast, and when you wake you’ll dress in black to mourn your soul deceased.”

“She was so delicate that, while we sat beneath the linden branches, a leaf would fall and drift down and touch her skin, and it would leave a bruise. So as we sat in the afternoon hour, beneath that fragrant linden bower, I had to chase all of the leafs that fell away.”

“The season was waning fastOur nights were growing cold at lastI took her to bed with silk and song,'Lay still, my love, I won’t be long;I must prepare my body for passion.''O, your body you give, but all else you ration.''It is because of these dreams of a sylvan scene:A bleeding nymph to leave me serene...I have dreams of a trembling wench.''You have dreams,' she said, 'that cannot be quenched.''Our passion,' said I, 'should never be feared;As our longing for love can never be cured.Our want is our way and our way is our will,We have the love, my love, that no one can kill.''If night is your love, then in dreams you’ll fulfill...This love, our love, that no one can kill.'Yet want is my way, and my way is my will,Thus I killed my love with a sleeping pill.”

“Champagne arrived in flûtes on trays, and we emptied them with gladness in our hearts... for when feasts are laid and classical music is played, where champagne is drunk once the sun has sunk and the season of summer is alive in spicy bloom, and beautiful women fill the room, and are generous with laughter and smiles... these things fill men's hearts with joy and remind one that life’s bounty is not always fleeting but can be captured, and enjoyed. It is in writing about this scene that I relive this night in my soul.”

“We rode the basement trains all night, speeding through the subterrains. I held her chin in the cup of my hand and her eyes held tight to mine, imploring me to reveal to her the mystery of that which awaits us on the pavement above, come the day we ascend from this labyrinth of trains... 'We will ride these beautiful basement trains forever,' said I, 'nothing awaits us; and as your beauty folds, so do my dreams. Come, my love, let us wander these tunnels of the endless city. This holy, endless city!”

“When I met a truly beautiful girl, I would tell her that if she spent the night with me, I would write a novel or a story about her. This usually worked; and if her name was to be in the title of the story, it almost always worked. Then, later, when we'd passed a night of delicious love-making together, after she’d gone and I’d felt that feeling of happiness mixed with sorrow, I sometimes would write a book or story about her. Sometimes her character, her way about herself, her love-making, it sometimes marked me so heavily that I couldn't go on in life and be happy unless I wrote a book or a story about that woman, the happy and sad memory of that woman. That was the only way to keep her, and to say goodbye to her without her ever leaving.”