“One of the first books of travel, giving European readers some insight into the unfamiliar world of the Orient, was published in 1356-67 in Anglo-Norman French. Called simply Travels, it was said to be by Sir John Mandeville, but a French historian, Jean d'Outremeuse, may well have written the book. It is a highly entertaining guide for pilgrims to the Holy Land, but goes beyond, taking the reader as far as Tartary, Persia, India and Egypt, recounting more fantasy than fact, but containing geographical details to give the work credence.Mandeville's book whetted the Western European reader's appetite for the travel book as a journal of marvels: dry scientific detail was not what these readers wanted. Rather it was imagination plus information. Thus, myths of 'the fountain of youth' and of gold-dust lying around 'like ant-hills' caught the Western imagination, and, when the voyagers of the late fifteenth and sixteenth centuries found 'new worlds' in the Americas, these myths were enlarged and expanded, as Eldorado joined the Golden Road to Samarkand in the imagination of readers concerning distant lands.”

“My readers have to work with me to create the experience. They have to bring their imaginations to the story. No one sees a book in the same way, no one sees the characters the same way. As a reader you imagine them in your own mind. So, together, as author and reader, we have both created the story.”

“If the reader prefers, this book may be regarded as fiction. But there is always the chance that such a book of fiction may throw some light on what has been written as fact.”

“There are books in which the footnotes, or the comments scrawled by some reader's hand in the margin, are more interesting than the text. The world is one of those books.”

“The characters within a book were, from a certain point of view, identical on some fundamental level ‒ there weren't any images of them, no physical tangibility whatsoever. They were pictures in the reader's head, constructs of imagination and ideas, given shape by the writer's work and skill and the reader's imagination. Parents, of a sort.”

“..books look as if they contain knowledge, while e-readers look as if they contain information.”