“We will discover nothing if we bind ourselves to accepted wisdoms. Questioning is necessary for discovery.”

“How should wordspresume themselves as bandages and slingswhen the world limps onward, and you've darkened it?And words be damned, for if we're 'gentle men'then what hope does the world have? Words are lost.They've plucked their eyes out rather than see this,have jumped from clifftops.”

“...Everything I had learned or assimilated from my parents I now regarded as unreliable, and needing to be rethought from scratch. In fact, I probably went further-I felt that everything my parents believed was by definition wrong, and that if I ever felt myself in agreement with my parents I should immediately recant. Everything... needed to be jettisoned. But in a way what they said wasn't the problem: what I was more worried about was the attitudes, prejudices, beliefs I might have picked up from them subconsciously or before I was old enough to even know what I was learning. Effectively, I had to question everything I believed, and never accept my own instincts. It required constant vigilance; it was intellectually exhausting.”

“Interestingly one aspect of a designed tool is that it will inevitably be used in ways which were not anticipated by the designer.”

“No matter how big the challenge, you can really only do the next little bit of it.”

“There are only two emotions: love and fear. All positive emotions come from love, all negative emotions from fear. From love flows happiness, contentment, peace, and joy. From fear comes anger, hate, anxiety and guilt. It's true that there are only two primary emotions, love and fear. But it's more accurate to say that there is only love or fear, for we cannot feel these two emotions together, at exactly the same time. They're opposites. If we're in fear, we are not in a place of love. When we're in a place of love, we cannot be in a place of fear.”

“I was just not cut out to be an American journalist. In England, I could phone my editor and say 'Do you want an interview with X?' and get an immediate yes or no. At Vanity Fair I had to 'pitch ideas' and then go through layers of editors, all of whom asked what my 'angle' was going to be. I have always deeply hated and resented this question. If you have an angle on someone, it means you have already decided what to write before you meet, so you really might as well not bother interviewing them" (126).”