“Now, Woolf calls her fictional bastion of male privilege Oxbridge, so I'll call mine Yarvard. Even though she cannot attend Yarvard because she is a woman, Judith cheerfully applies for admission at, let's call it, Smithcliff, a prestigious women's college. She is denied admission on the grounds thatthe dorms and classrooms can'taccommodate wheelchairs, that her speech pattern would interfere with her elocution lessons, and that her presence would upset the other students. There is also the suggestion that she is not good marriage material for the men at the elite college to which Smithcliff is a bride-supplying "sister school." The letter inquires as to why she hasn't been institutionalized.When she goes to the administration building to protest the decision, she can't get up the flight of marble steps on the Greek Revival building. This edifice was designed to evoke a connection to the Classical world, which practiced infanticide of disabled newborns.”

“Decades ago, I'm told, my sister-in-law...was stepping out of the shower in the bathroom of her all-women's dorm, and she heard the call "Men on the floor!" At many schools, this would have been a non-event, but she was in a highly conservative religious college. She was naked. She had only a small towel to cover herself, and there were men prowling the hallways. She could hear them. She waited, but they didn't go away. So she began to think about which part of her body to cover with the towel. It barely fit across her bottom or her top. It certainly didn't cover both. She had to make a choice. Finally, she had an inspired idea. She threw the towel over her head and scampered naked to her room. Given the options, it was more important for her to cloak her identity than her body.”

“Listen to a woman speak at a public gathering (if she hasn't painfully lost her wind). She doesn't "speak," she throws her trembling body forward; she lets go of herself, she flies; all of her passes into her voice, and it's with her body that she vitally sup- ports the "logic" of her speech. Her flesh speaks true. She lays herself bare. In fact, she physically materializes what she's thinking; she signifies it with her body. In a certain way she inscribes what she's saying, because she doesn't deny her drives the intractable and impassioned part they have in speaking. Her speech, even when "theoretical" or political, is never simple or linear or "objectified," generalized: she draws her story into history.”

“It's not a cat!' Flo insisted. 'It's a horrible stripy- thing - and it's got fangs, and... and...''She calls it Henry,' she said, as though this was calling the Prince of Darkness Fred. 'She says her sister left it to her in her. In her will!”

“If women had power, what would men be but women who can't bear children? And what would women be but men who can?...I mean, men give her [a queen] power. They let her use their power. But it isn't hers, is it? It isn't because she's a woman that she's powerful, but despite it.”

“If women had power, what would men be but women who can't bear children? And what would women be but men who can?""Hah!" went Tenar; and presently, with some cunning, she said, "Haven't there been queens? Weren't they women of power?""A queen's only a she-king," said Ged.She snorted."I mean, men give her power. They let her use their power. But it isn't hers, is it? It isn't because she's a woman that she's powerful, but despite it.”