“I have been so-many too-many persons; life, unlike syntax, allows one more than three.”

“O my vanity I am an arrogant man, is this weakness, is it just a dream of power? Must I betray myself for a seat on the council? Is this sensible and wise or is it hollow and self-loving? I don’t even know if the Grandee is sincere. Does he know? Perhaps not even he. I am weak and he’s strong, the offer gives him many ways of ruining me. But I, too, have much to gain. The souls of the city, of the world, surely they are worth three angels? Is Allah so unbending that he will not embrace three more to save the human race?”

“Too many people spouting too many words, and in the end those words will turn to bullets and stones.”

“Something was badly amiss with the spiritual life of the planet...Too many demons inside people claiming to believe in God.”

“More seriously-and this is probably why there has been a lot of garbage talked about a lost generation-it was easy to see, all over the landscape of contemporary fiction, the devastating effect of the Thatcher years. So many of these writers wrote without hope. They had lost all ambition, all desire to to wrestle with the world. Their books dealt with tiny patches of the world, tiny pieces of human experience-a council estate, a mother, a father, a lost job. Very few writers had the courage or even the energy to bite off a big chunk of the universe and chew it over. Very few showed any linguistic or formal innovation. Many were dulled and therefore dull. (And then, even worse, there were the Hooray Henries and Sloanes who evidently thought that the day of the yuppie novel, and the Bellini-drinking, okay-yah fiction had dawned. Dukedoms and country-house bulimics abounded. It was plain that too may books were being published; that too many writers had found their way into print without any justification for it at all; that too many publishers had adopted a kind of random, scattergun policy of publishing for turnover and just hoping that something would strike a cord.When the general picture is so disheartening, it is easy to miss the good stuff. I agreed to be a judge for "Best of Young British Novelists II" because I wanted to find out for myself if the good stuff really was there. In my view, it is...One of my old schoolmasters was fond of devising English versions of the epigrams of Martial. I remember only one, his version of Martial's message to a particularly backward-looking critic: "You only praise the good old days We young 'uns get no mention. I don't see why I have to die To gain your kind attention.”

“I have been a swallower of lives; and to know me, just the one of me, you'll have to swallow the lot as well.”

“Why, alone of all the more-than-five-hundred-million, should I have to bear the burden of history?”