“Such were the factors that detached Ormus Cama from the ordinary ties of family life. The ties that strangle us, which we call love. Because of the loosening of these ties he became, with all the attendant pain of such becoming, free.But love is what we want, not freedom. Who then is the unluckier man? The beloved, who is given his heart's desire and must forever after fear its loss, or the free man, with his unlooked-for liberty, naked and alone between the captive armies of the earth?”

“But love is what we want, not freedom. Who then is the unluckier man? The beloved, who is given his heart's desire and must for ever after fear its loss, or the free man, with his unlooked-for liberty, naked and alone between the captive armies of the earth?”

“When you pray for what you most want in the world, its opposite comes along with it. I was given a woman whom I truly loved and who truly loved me. The opposite side of such a love is the pain of its loss. I can only feel such pain today because until yesterday I knew that love.”

“We, the living, must find what space we can alongside them; the giant dead whom we cannot tie down, though we grasp at their hair, though we rope them while they sleep”

“And blessed be the first sweet suffering that I felt in being conjoined with love and the bow and the shafts with which I was pierced, and the wounds that run to the depths of my heart…” any man who loves this poem as I do, must be my master... And any man who feels as I do about these words must be my drinking companion.”

“To grow up steeped in these tellings was to learn two unforgettable lessons: first, that stories were not true (there were no "real" genies in bottles or flying carpets or wonderful lamps), but by being untrue they could make him feel and know truths that the truth could not tell him, and second, that they all belonged to him, just as they belonged to his father, Anis, and to everyone else, they were all his, as they were hsi father's, bright stories and dark stories, sacred stories and profane, his to alter and renew and discard and pick up again as and when he pleased, his to laugh at and rejoice in and live in and with and by, to give the stories life by loving them and to be given life in return. Man was the storytelling animal, the only creature on earth that told itself stories to understand what kind of creature it was. The story was his birthright, and nobody could take it away.”

“Abraham Zogoiby covered his face that night in August 1939 because he had been assailed by fear, [...] a sudden apprehension that the ugliness of life might defeat its beauty; that love did not make lovers invulnerable. Nevertheless, he thought, even if the world's beauty and love were on the edge of destruction, theirs would still be the only side to be on; defeated love would still be love, hate's victory would not make it other than it was. ”