“Happy endings must come at the end of something,' the Walrus pointed out. 'If they happen in the middle of a story, or an adventure, or the like, all they do is cheer things up for awhile.”
“He was already beginning to understand that what was wrong with his writing was that there was something wrong, something misconceived, about him. If he hadn't become the writer he thought he had it in him to be, it was because he didn't know who he was. And slowly, from his ignominious place at the bottom of the literary barrel, he began to understand who that person might be. He was a migrant. He was one of those who had ended up in a place that was not the place where he began.”
“Because he did have that gift, truly he did, he was the Man of a Thousand Voices and a Voice. If you wanted to know how your ketchup bottle should talk in its television commercial, if you were unsure as to the ideal voice for your packet of garlic-flavoured crisps, he was your very man. He made carpets speak in warehouse advertisements, he did celebrity impersonations, baked beans, frozen peas.”
“He wondered if he would live to see the blossom on his apple trees and felt an answering pop inside himself. Ah, so it would not be long now. It began to snow lightly, the last flakes to fall before the spring. He put on his wedding finery, the clothes he had worn so long ago when he married his beloved Pamposh, and which he had kept all this time wrapped in tissue paper in a trunk. As a bridegroom he went outdoors and the snowflakes caressed his grizzled cheeks. His mind was alert, he was ambulatory and nobody was waiting for him with a club. He had his body and his mind and it seemed he was to be spared a brutal end. That at least was kind. He went into his apple orchard, seated himself cross-legged beneath a tree, closed his eyes, heard the verses of the Rig-Veda fill the world with beauty and ceased upon the midnight with no pain.”
“He was learning that to win a fight like this, it was not enough to know what one was fighting against. That was easy. He was fighting against the view that people could be killed for their ideas, and against the ability of any religion to place a limiting point on thought. But he needed, now, to be clear of what he was fighting for. Freedom of speech, freedom of the imagination, freedom from fear, and the beautiful, ancient art of which he was privileged to be a practitioner. Also skepticism, irreverence, doubt, satire, comedy, and unholy glee. He would never again flinch from the defense of these things. p. 285”
“He knew what he knew: that the real world was full of magic, so magical worlds could easily be real.”