“I mean it. Aside from the old coastal cities, which in Australia are still very young themselves, what you have is a vast stretch of wilderness, wholly natural, with all the horror that nature brings to the table when she dines.""You make it sound like we'll barely survive," Clare said."Oh, I'm sure we will, at least the journey to Port Darwin. From there we won't have to struggle with anything more lethal than a train carriage, I hope. My point is that this is a young country in an old land. And those who don't walk with respect in the wilderness do have a tendency to get eaten.”

“Trains are beautiful. They take people to places they've never been, faster than they could ever go themselves. Everyone who works on trains knows they have personalities, they're like people. They have their own mysteries.”

“You say great artists sell their souls for their art?""Maybe," she ventured."That's true, I suppose. If you're doing it right, anyway. I've probably sold mine. Jack's certainly sold his. And you, I imagine.""I have not!" she said, anger showing clear in her eyes. "Not literally," he said hastily. "But we give up being a person to be an artist, don't we?”

“We [artists] aren't people, not the way most people are. We're just...carriers. Little boats bringing goods from foreign lands.”

“Do you always try to upset the world as much as possible?" Clare asked.He gave her a surprised look. "Of course. Otherwise how does anything change?”

“He looked down at the desk, at his notebook resting there with the pen on top. He had never thought of engineering as a way to escape the world; after all, engineers didn't build stories or other worlds. Or, well, perhaps they did; perhaps, late at night, huddled around the boiler with the driver and the conductor, they told their own stories. Famous robberies in the west, derailments, perhaps even ghost trains or passengers long dead who still prowled the carriages. Either way, Jack had turned his profession into his escape, which Ellis could respect.”

“Miss Fields," said a servant, stepping into the room and closing the door, "There is a visitor for you. Are you in?"Clare blinked. "Yes, obviously.""Ah. Miss Fields, I should advise -- you may be in without being 'in', if you prefer," he said, offering her a tray. There was a calling card on it; Arthur Conan Doyle, Edinburgh.”