“An Evening AirI go out in the grey eveningIn the air the odor of flowers and the sounds of lamentation.I go out into the hard loneliness of the barren field of grey eveningIn the air the odor of flowers and the sounds of lamentation.In the gathering darkness a long, swift train suddenly Passes me like a lighting.Hard and ponderous and loud are the wheels.As ponderous as the darkness, and as beautiful.I look on, enchanted, and listen to the sounds of lamentationIn the soft fragrant air.The long rails, grey-dark, smooth as a serpent, shiver, andA soft, low thing cries out in the distance,But the sounds are hard and heavy,In the air the odor of flowers and the sounds of lamentation.”
“Unceasing change turns the wheel of life, and so reality is shown in all it's many forms. Dwell peacefully as change itself liberates all suffering sentient beings and brings them great joy.”
“Whenever the sadness got too much, I would hire a rickshaw and go to the Upper Bazaar. Those little rickshaw trips to the market and back, shopping for lipsticks and imitation Gucci bags and wind-chimes and what not, are some of my happiest memories today. You know, one day, during one of those trips, I sold all my well-thumbed copies of ‘Inside Outside’ to the Tibetan guy who ran the old book store on Netaji Road for seventy rupees, six Tintins and a disarming smile. And all of a sudden, that moment, standing at the corner of Netaji road, I found out who I was.’('Left from Dhakeshwari')”
“I had no eyelashes left. So when I cried, the tears rolled down, unabated to my mouth. My saliva tasted those days, like a salt lake. Or so he said.'('Left from Dhakeshwari')”
“I want to kiss your forehead; my love now is so evolved. I want to hold your hand and see all the little marks and nicks and find out how they happened. I want to assimilate myself in your identity, to have my existence intertwined with yours. I want to know what all stories still lie hidden in you.'('Left from Dhakeshwari')”
“I shall remain thankful to you for the tenderness of your arms that held me when I wept onto your shoulder, and that held me throughout that winter, after every bicycle accident and every B minus. I discovered Bulbul that you could make everything all right, by blowing softly over scraped knees… but one such winter day, by which time our childhood heroes had become older men with ordinary problems, I might’ve confessed to being in love with you and you, in a moment of ruthless propriety, had pretended not to hear.’ ('Left from Dhakeshwari')”