“This tired abstract anger; inarticulate passive opposition; always the same thing in dublin”
“How do you manage it, she said, at your age? I told her I'd been saving up for her all my life.”
“I am in my mother's room. It's I who live there now. I don't know how I got there. Perhaps in an ambulance, certainly a vehicle of some kind. I was helped. I'd never have got there alone. There's this man who comes every week. Perhaps I got there thanks to him. He says not. He gives me money and takes away the pages. So many pages,so much money. Yes, I work now, a little like I used to, except that I don't know how to work any more. That doesn't matter apparently. What I'd like now is to speak of the things that are left, say my good-byes, finish dying. They don't want that. Yes, there is more than one, apparently. But it's always the same one that comes. You'll do that later, he says. Good. The truth is I haven't much will left. When he comes for the fresh pages he brings back the previous week's. They are marked with signs I don't understand ... Here's my beginning. It must mean something, or they wouldn't keep it. Here it is.”
“There I am then back in the saddle, in my numbed heart a prick of misgiving, like one dying of cancer obliged to consult his dentist.”
“The memory came faint and cold of the story I might have told, a story in the likeness of my life, I mean without the courage to end or the strength to go on.”
“What I liked in anthropology was its inexhaustible faculty of negation, its relentless definition of man, as though he were no better than God, in terms of what he is not. But my ideas on this subject were always horribly confused, for my knowledge of men was scant and the meaning of being beyond me.”