“There’s man all over for you, blaming on his boots the faults of his feet.”

“There is man in his entirety, blaming his shoe when his foot is guilty.”

“Bloom of adulthood. Try a whiff of that. On your back in the dark you remember. Ah you remember. Cloudless May day. She joins you in the little summerhouse. Entirely of logs. Both larch and fir. Six feet across. Eight from floor to vertex. Area twenty-four square feet to the furthest decimal. Two small multicoloured lights vis-a-vis. Small stained diamond panes. Under each a ledge. There on summer Sundays after his midday meal your father loved to retreat with Punch and a cushion. The waist of his trousers unbuttoned he sat on the one ledge and turned the pages. You on the other your feet dangling. When he chuckled you tried to chuckle too. When his chuckle died yours too. That you should try to imitate his chuckle pleased and amused him greatly and sometimes he would chuckle for no other reason than to hear you try to chuckle too. Sometimes you turn your head and look out through a rose-red pane. You press your little nose against the pane and all without is rosy. The years have flown and there at the same place as then you sit in the bloom of adulthood bathed in rainbow light gazing before you. She is late.”

“To every man his little cross. Till he dies. And is forgotten.”

“ESTRAGON: Do you think God sees me? VLADIMIR: You must close your eyes. Estragon closes his eyes, staggers worse. ESTRAGON: (stopping, brandishing his fists, at the top of his voice.) God have pity on me! VLADIMIR: (vexed). And me? ESTRAGON: On me! On me! Pity! On me!”

“WINNIE: Sometimes I am wrong. (Smile.) But not often. (Smile off.) Sometimes all is over, for the day, all done, all said, all ready for the night, and the day not over, far from over, the night not ready, far, far from ready. (Smile.) But not often. (Smile off.)”

“I've got my faults, but changing my tune isn't one of them.”