“The thing about capturing a prize fish is that everyone admires the fish, and soon forgets about the fisherman. You love the thing that makes you special, then hate it because it's the thing that makes you special.”

“Regret and pangs of conscience are feelings we assign to others to make the world seem a little more fair, to even things out a little and provide consolation. In reality, those who do wrong to us never think about us as much as we think about them, and that is the ultimate irony: their deeds live inside us, festering, while they live out in the world, plucking peaches off trees, biting juicily into them, their minds on things lovely and sweet.”

“We're only given one life, and it's the one we live, she had thought; how painful now, to realize that wasn't true, that you would have different lives, depending on how brave you were, and how ready.”

“Why are we asked to make the most important decisions of our lives when we are so young, and so prone to mistakes?”

“Chamara. What is the word that comes closest to it? Soo-Ja wondered. To stand it, to bear it, to grit your teeth and not cry out? To hold on, to wait until the worst is over? There is no other word for it, no way to translate it. It is not a word. It is a way to console yourself. He is not just telling her to stand the pain, but giving her comfort, the power to do so. Chamara is an incantation, and if she listens to its sound, she believes that she can do it, that she will push through this sadness. And if she is strong about it, she'll be rewarded in the end. It is a way of saying, I know, I feel it, too. This burns my heart, too.”

“You are my everything,” Julie said. “You are challenging, and difficult, and guarded. I love those things about you. You are fascinating, and complex, and brilliant, and funny. I love those things about you, too. I am in love with your selflessness and your ability to sacrifice too much. I am in love with the parts of you that fear and that hurt and that push people away. I am love in with your vulnerability and your strength. I am in love with your capacity to love harder and with more loyalty than I ever imagined anyone could. I am in love with the choices you’ve made, even the mistakes, because they brought us to where we are right now. More than those things, I am very simply in love with you and everything that you are. Your past, your present, and your future.” She touched her fingers to him, tracing his lips and then moving across his jaw and over his cheek. “I think about you all the time, and I can’t get you out of my head. I am listening to my heart, finally, without doubting anything. And I will never stop.” And then she kissed him. Long and hard and endlessly, only eventually slowing. “Now open your eyes and look at me. I feel everything that you feel, Matt. I always have, and I know that now. And it is time to stop hurting.”

“It occurred to Soo-Ja that if she gave him permission, he'd kiss her right then and there. But she realized that all along, what she really wasn't to have him in the present - how could she, married woman that she was, married man that he was — but to rewrite the past, have him go back in time and create a version that allowed them to kiss. To be able to kiss him did not seem to take much — a step forward, the angling of her face. But, in fact, it required rearranging the molecules of every interaction they had ever had, from the very first day they met.”