“But the point is, when the writer turns to address the reader, he or she must not only speak to me—naively dazzled and wholly enchanted by the complexities of the trickery, and thus all but incapable of any criticism, so that, indeed, he can claim, if he likes, priestly contact with the greater powers that, hurled at him by the muse, travel the parsecs from the Universe’s furthest shoals, cleaving stars on the way, to shatter the specific moment and sizzle his brains in their pan, rattle his teeth in their sockets, make his muscles howl against his bones, and to galvanize his pen so the ink bubbles and blisters on the nib (nor would I hear her claim to such as other than a metaphor for the most profound truths of skill, craft, or mathematical and historical conjuration)—but she or he must also speak to my student, for whom it was an okay story, with just so much description.”

“He who would be a writer, fine, Must take a deal of pains, Must criticize his every line, And mix his ink with brains.”

“The aim of our orator, then, when speaking of things that are just and holy and good--and he should not speak of anything else--the aim, as I say, that he pursues to the best of his ability when he speaks of these things is to be listened to with understanding, with pleasure, and with obedience. He should be in no doubt that any ability he has and however much he has derives more from his devotion to prayer than his dedication to oratory; and so, by praying for himself and for those he is about to address, he must become a man of prayer before becoming a man of words.”

“A man who tells secrets or stories must think of who is hearing or reading, for a story has as many versions as it has readers. Everyone takes what he wants or can from it and thus changes it to his measure. Some pick out parts and reject the rest, some strain the story through their mesh of prejudice, some paint it with their own delight. A story must have some points of contact with the reader to make him feel at home in it. Only then can he accept wonders.”

“Livia located her fancy jacket and stepped out of the closet. Blake took the coat from her and held it out in an old-fashioned ritual only he could get away with. He moved Livia’s hair out of the way and kissed her neck as he buttoned each of her buttons from behind her. He skimmed parts of her she wished he would linger on. She turned her head to claim his lips.They kissed until he stepped back and shook his head, as if to clear it. “I can only take so much of that with your bed so close.”

“Though he may have been more tolerant than most of his brethren, being addressed without deference by a woman of no particular lineage was more than the priest could bear. A tic sprang to life in his right eye. Glaring, he turned away from me and addressed himself pointedly to Casare. "Signore, we are about to perform the final sacraments for our late Holy Father! Surely you can understand that your presence here and that of your-" He paused, no doubt condsiering what he would like to call me. Some sense of self-preservation must have won out as he said only, "-companion is not appropriate?"Cesare had many skills- I have alluded to several of them - but he was utterly lacking in even the rudiments of tact. Indeed, his notion of diplomacy revolved around the conviction that the best route to peace lies in the grinding of one's enemies into the ground so thoroughly that the very fact of their ever having existed will be forgotten upon the wind.But he was in Saint Peter's Basilica, next to Jerusalem the holiest place in all Christendom. And if he caused any real problems, he would have no end of trouble from his father.Accordingly, Cesare gritted his teeth and said, "Don't fuck with me, priest. Just show us how to get into the garret.”