“Ordinarily, I am the person who falls in love quickly and somewhat inappropriately and then goes on to destroy what is a good thing. That's always been my style. So, you know: I get it. And I feel right now the way I imagine all those guys felt with me. And I have to say, for the first time in my life, I feel something approaching compassion for them.”

“The idea tells you everything. Lots of times I get ideas, I fall in love with them. Those ones you fall in love with are really special ideas. And, in some ways, I always say, when something's abstract, the abstractions are hard to put into words unless you're a poet. These ideas you somehow know. And cinema is a language that can say abstractions. I love stories, but I love stories that hold abstractions--that can hold abstractions. And cinema can say these difficult-to-say-in-words things. A lot of times, I don't know the meaning of the idea, and it drives me crazy. I think we should know the meaning of the idea. I think about them, and I tell this story about my first feature Eraserhead. I did not know what these things meant to me--really meant. And on that particular film, I started reading the Bible. And I'm reading the Bible, going along, and suddenly--there was a sentence. And I said, forget it! That's it. That's this thing. And so, I should know the meaning for me, but when things get abstract, it does me no good to say what it is. All viewers on the surface are all different. And we see something, and that's another place where intuition kicks in: an inner-knowingness. And so, you see a thing, you think about it, and you feel it, and you go and you sort of know something inside. And you can rely on that. Another thing I say is, if you go--after a film, withholding abstractions--to a coffee place--having coffee with your friends, someone will say something, and immediately you'll say “No, no, no, no, that's not what that was about.” You know? “This is what it was about.” And so many things come out, it's surprising. So you do know. For yourself. And what you know is valid.”

“You see, that's who you are, Joe. All these things. That's the person I know, and through him is the way you'll know me, because connected to all these things are moments, and for so many of them, I was there. And that's the thing that hurts so much...You see, you were the only person who knew everything. Because you were there. You were my witness. And you make sense of the fucked-up mess I become every now and then. And I could at least look at you and think, at least he knows why I am the way I am. There were reasons. But I can't do that anymore and I feel so lonely.”

“I've always been happy with you," he said. "But I never thought I deserved it.""And now you do?""And now the feeling's gone," he said. "All I know is that I love you and for the first time, that's good enough.”

“Very quickly I begin to understand the selfishness of my love, the inappropriateness of my relationships, when I realise that every time I fuck it feels as if I am wrestling with demons.”

“You are the person that I should have had out there.....right out in front for eveyone to see. To be able to say to the world; Look at who it is that I love! Look how wonderful she is. To be proud of who it is that I am with. That person was you. In my self-absorbed and selfish ways, I didn't celebrate or regard you in the way I should have. I will always have regrets about that and those are the types of thoughts and feelings that have haunted me as I have sat alone in my quiet.”