“Suffice it to say I was compelled to create this group in order to find everyone who is, let's say, borrowing liberally from my INESTIMABLE FOLIO OF CANONICAL MASTERPIECES (sorry, I just do that sometimes), and get you all together. It's the least I could do.I mean, seriously. Those soliloquies in Moby-Dick? Sooo Hamlet and/or Othello, with maybe a little Shylock thrown in. Everyone from Pip in Great Expectations to freakin' Mr. Rochester in Jane Eyre mentions my plays, sometimes completely mangling my words in nineteenth-century middle-American dialect for humorous effect (thank you, Sir Clemens). Many people (cough Virginia Woolf cough) just quote me over and over again without attribution. I hear James Joyce even devoted a chapter of his giant novel to something called the "Hamlet theory," though do you have some sort of newfangled English? It looks like gobbledygook to me. The only people who don't seek me out are like Chaucer and Dante and those ancient Greeks. For whatever reason.And then there are the titles. The Sound and the Fury? Mine. Infinite Jest? Mine. Proust, Nabokov, Steinbeck, and Agatha Christie all have titles that are me-inspired. Brave New World? Not just the title, but half the plot has to do with my work. Even Edgar Allan Poe named a character after my Tempest's Prospero (though, not surprisingly, things didn't turn out well for him!). I'm like the star to every wandering bark, the arrow of every compass, the buzzard to every hawk and gillyflower ... oh, I don't even know what I'm talking about half the time. I just run with it, creating some of the SEMINAL TOURS DE FORCE OF THE ENGLISH LANGUAGE. You're welcome.”

“You come to work every day but you hardly get to know anyone. I don't even know the names of half the people I see in the elevators. They say the company is a big family, but I don't know them. And even the people I do, like you two, and Elizabeth, and Roger - do I really? I mean, I like you guys, but we only ever talk about work. When I'm out with friends, or at home, I never talk about work. The other day, I tried to explain to my sister why it's such a huge deal that Elizabeth ate Roger's donut, and she thought I was insane. And you know what, I agreed with her. At home I couldn't even think why it mattered. Because I'm a different person at home. When I leave this place at night, I can feel myself changing. Like shifting gears in my head. And you guys don't know that; you just know what I'm like here, which is terrible, because I think I'm better away from work. I don't even like who I am here. Is that just me? Or is everyone different when they come to work? If they are, then what are they really like? How can we ever know? All we know are the Work People.”

“On Saturday mornings during deliveries, I'd practice picking out new words in Jane Eyre, sounding out the ones that needed sounding out—and I'm not lying, there were plenty. "'A new servitude! There is something in that,' I soliloquized." I mean, who talks like that? Do you know how long it takes to sound out a word like soliloquized? And even after you do, you have no idea what the stupid word means except that it probably just means "said," which is what stupid Charlotte Brontë should have said in the first place. When I delivered Mrs. Mason's groceries, she saw that I had Jane Eyre stuck under my arm. "Oh," she said, "that was my favorite novel in school." "It was?" I soliloquized.”

“Listen Chica-" Carlos says when we're driving to my mom's store"don't call me that anymore" I tell him"what do you want me to call you, then?" I shrug "whatever. Just not Chica"Carlos holds his hand up "what do you want me from me? You want me to tell you lies? Okay. Kara, without you i'm nothin'. Kara, you own my heart and soul. Kara,, i love you. Is that what you to hear?"yes""No guy who actually says those things really mean them""I bet your brother says them to Brittney and means them""that's because he's lost all common sense. I though you the one girl who didn't fall for my bull""I don't. Consider my wanting you as my real boyfriend a lapse of judgement," I tell him "But i'm over it”

“Everyone always knows what they're doing," he says abruptly, still not looking up from his hands, the little plastic pot and the old tattoo and the new white dressing on his left wrist. "You know what you're doing, you got your work and your friends and everything and miserable headfucky little teenage girly boys think you're amazing and, I don't know, you might've saved my life, who knows? I might be dead if it weren't for you and Olly but people can't keep looking after me all the time cos that ain't healthy neither, that's just as bad as people not giving a fuck at all. And, like... I'm trying to sort my head out and be a proper grown-up and get my degree and go to work and look after them kids and make sure my dad ain't kicking my sister round the house like a football but it's just so hard all the time, and I know I ain't got no right to complain cos that's just life, ain't it? Everyone's the same, least I ain't got money worries or nothing. I just don't know what I'm doing, everything's too hard. I can try and try forever but I can't be good enough for no one so what the fuck's the point?”

“She eyes me. 'What is this all about?' It's my turn to shrug, upsetting the rocks on my back. 'I don't know. Girl talk. I mean, you can have any guy you want, so why don't you just pick one?' Priscilla doesn't answer at first. I'm glad I chose this moment: she's actually pinned down and cannot run away. Finally, she says, 'If I can have any guy I want, I'd like to have every guy I want.' 'What do you mean? She gives me an exasperated look. 'I'm only seventeen, Skye. I'm not looking to settle down just yet.' She probably misunderstands my shocked expression, because she adds, 'I mean, I'm not saying you're wrong or anything, but it's just not me, you know?”