“I would go down to the kitchen, saying 'How do you do?' to whoever I met there: ...'How are you, Mrs. Cakebread?' (That was the cook: that really was her name, it wasn't a joke and no-one laughed it it.)”

“Mom's eyes held yours for a moment. 'I don't like or dislike the kitchen. I cooked because I had to. I had to stay in the kitchen so you could all eat and go to school. How could you only do what you like? There are things you have to do whether you like it or not.' Mom's expression asked, What kind of question is that? And then she murmured, 'If you only do what you like, who's going to do what you don't like?”

“Ana Iris once asked me if I loved him and I told her about the lights in my old home in the capital, how they flickered and you never knew if they would go out or not. You put down your things and you waited and couldn't do anything really until the lights decided. This, I told her, is how I feel.”

“I wanted to do it for you,” he said. “I wanted to show you how much I would do,how far I would go. How hard I would work.”

“Once he had watched Liz making a silk braid. One end was pinned to the wall and on each finger of her raised hands she was spinning loops of thread, her fingers flying so fast he couldn’t see how it worked. ‘Slow down,’ he said, ‘so I can see how you do it,’ but she’d laughed and said, ‘I can’t slow down, if I stopped to think how I was doing it I couldn’t do it at all.”

“And she keeps saying, how can you do this to me? And i want to scream, what do you mean, how can I do this to you? Aren't we confusing our pronouns here? The question, really, is How could I do this to myself?”