“If she got really quiet and listened, new parts of her wanted to speak.”

SARK

SARK - “If she got really quiet and listened, new parts...” 1

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“Tell her to be quiet, and she got louder. Tell her to stay back, and she pushed me into the line of fire. Tell her to watch for our pursuers, and she hovered at my shoulder instead. Open the door to listen, and she wanted to drag me back inside.Ah. The beginning of a beautiful friendship.”

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“Next to a mother she wanted a quiet place where she could be alone when she wanted to be; to listen to the wind telling her strange tales, or hold the big spotted shell that murmured of the sea to her ear, or talk to the roses in the garden.”

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“Listen to a woman speak at a public gathering (if she hasn't painfully lost her wind). She doesn't "speak," she throws her trembling body forward; she lets go of herself, she flies; all of her passes into her voice, and it's with her body that she vitally sup- ports the "logic" of her speech. Her flesh speaks true. She lays herself bare. In fact, she physically materializes what she's thinking; she signifies it with her body. In a certain way she inscribes what she's saying, because she doesn't deny her drives the intractable and impassioned part they have in speaking. Her speech, even when "theoretical" or political, is never simple or linear or "objectified," generalized: she draws her story into history.”

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“I've got to start listening to those quiet, nagging doubts.”

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“She feels lonely all the time, she wants to be accepted, by anyone, on any terms, but she feels apart. As if nobody who really got to know her would trust her.”

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