“The beauty of the world…has two edges, one of laughter, one of anguish, cutting the heart asunder.—Virginia Woolf, A Room of One's Own (part 3, Pretties)”

“The beauty of the world...has two edges, one of laughter, one of anguish, cutting the heart asunder.”

“The beauty of the world has two edges, one of laughter, one of anguish, cutting the heart asunder.”

“The wind blew, from what quarter I know not, but it lifted the half-grown leaves so that there was a flash of silver-grey in the air. It was the time between the lights when colors undergo their intensification and purples and golds burn in windowpanes like the beat of an excitable heart; when for some reason the beauty of the world revealed and yet soon to perish ... has two edges, one of laughter, one of anguish, cutting the heart asunder.”

“There are numerous biographies of Woolf. Biography has been highly influential in shaping the reception ofWoolf ’s work, and her life has been as much debated as her writing. I would recommend the following three whichrepresent three different biographical contexts and a range of positions on Woolf ’s life: Quentin Bell’s Virginia Woolf: A Biography (1972), Hermione Lee’s Virginia Woolf (1996), and Julia Briggs’s Virginia Woolf: An Inner Life(2005). There is no one, true biography of Woolf (as, indeed, there cannot be of any subject of biography), but these three mark important phases in the writing and rewriting of Woolf ’s life. Hot debate continues over how biographers represent her mental health, her sexuality, her politics, her suicide, and of course her art, and over how we are to understand the latter in relation to all the former points of contention.”

“In every friendship hearts grow and entwine themselves together, so that the two hearts seem to make only one heart with only a common thought. That is why separation is so painful; it is not so much two hearts separating, but one being torn asunder.”