“We want what the woman wanted in the prison queue in Leningrad, standing there with cold and whispering for fear, enduring the terror of Stalin's regime and asking the poet Anna Akhmatova if she could describe it all, if her art was equal to it.”

“During the terrible years of the Yekhov terror I spent seventeen months in the prison queues in Leningrad. One day someone ‘identified’ me. Then a woman with lips blue with cold who was standing behind me, and of course had never heard of my name, came out of the numbness which affected us all and whispered in my ear—(we all spoke in whispers there): ‘Could you describe this?’I said, ‘I can!’Then something resembling a smile slipped over what had once been her face.”

“He wanted to do things to this woman. He wanted to make her feel the way a good boyfriend would – desired, wanted, craved. She deserved all that. He could give it to her now. He could give it to her for a week.”

“Anna never wanted to walk when she could be carried, your mother wanted to walk when she could fly, and you want to run before you can walk.”

“It's an abominable fallacy that suffering makes for greater art. Suffering blinds, deafens, ruins, and often kills. Osip Mandelstam was a great poet before the revolution. So was Anna Akhmatova, so was Marina Tsvetaeva. They would have become what they became even if none of the historical events that befell Russia in this century had taken place: because they were gifted. Basically, talent doesn't need history.”

“She did not want to be greater than her husband: what she did want was that he should acknowledge her as his equal, with love and with respect.”