“We’d already had the discussion about whether or not Jazz was allowed to move in.I said yes, of course. At least when Jazz is around, May occasionally lets me have the remote control.”

“And of course, everybody thinks it's just like it used to be when the Indians jazzed around and played 'You're it' with arrows.”

“Shut up and let me see your jazz hands”

“I don’t know a thing about jazz.” “That’s okay.” He pulled me toward the door and opened it. “You know music. Jazz will explain itself.”

“In a conversation with the master jazz musician and Pulitzer Prize–winning composer Wynton Marsalis, he told me, “You need to have some restrictions in jazz. Anyone can improvise with no restrictions, but that’s not jazz. Jazz always has some restrictions. Otherwise it might sound like noise.” The ability to improvise, he said, comes from fundamental knowledge, and this knowledge “limits the choices you can make and will make”

“A few minutes after discovering we had a goal but no plan, Brent was laughing heartily at a pathetic joke I had made. It reminded me of the firstday on campus when I had thought his laughter sounded like a melody. It did now, even more so. It was music, beautiful, in a manly way, like asensual, slow jazz. I loved jazz.“Jazz, huh?” Brent asked, his voice suddenly husky.“Uh . . . what?”“My laugh reminds you of jazz? Is there anything about me you don’t find attractive?” He rubbed his hand over his lips trying to cover his smirk.“So tell me, how much do you love jazz?”I’m sure my face was pinker than the inside of a watermelon. “I didn’t say any of that.”“You didn’t have to say it, Yara, I could hear it.” Brent tapped the side of his head. “I can hear your thoughts.”“You’re not serious.”“Oh, but I am,” he said, completely straight-faced.”