“But I suspect the reported number of good novels this year is a result of 9/11 and all the other alarums of recent years. I think it set a certain gear into movement, unseen, silent, at the heart of many writers. Writers with children, writers with that hope of a peaceful century; a sort of literary battle stations. I was not surprised to hear Ali Smith describe her wonderful book The Accidental as a war book.Sebastian Barry, in interview with TMO (2005)”

“I've always loved science fiction. I think the smartest writers are science fiction writers dealing with major things.” – Associated Press interview, 12-7-11”

“Bestseller doesn’t necessarily mean good writer. I think it takes 10,000 book sales to make the bestseller’s list, and at about 9 dollars a pop for my book, if I had an extra $90,000 dollars of disposable income, I’d be a bestseller tomorrow. But would I be a better writer? No, I’d be a poorer writer—about $75,000 dollars poorer.”

“My books have all been very deeply felt. You don’t spend eight years of your life working on a trendy knockoff. In that sense I’ve been serious. But I don’t do lots of things that other serious writers do. I don’t write book reviews. I don’t sit on panels about the state of the novel. I don’t go to writer conferences. I don’t teach writing seminars. I don’t hang out at Yaddo or MacDowell. I’m not concerned with my reputation as a writer and where I stand relative to other writers. I’m not competitive or professionally ambitious. I don’t think about my work and my career in an overarching or systematic way. I don’t think about myself, as I think most writers do, as progressing toward some ideal of greatness. There’s no grand plan. All I know is that I write the books I want to write. All that other stuff is meaningless to me.”

“It should surprise no one that the life of the writer--such as it is--is colorless to the point of sensory deprivation. Many writers do little else but sit in small rooms recalling the real world. This explains why so many books describe the author's childhood. A writer's childhood may well have been the occasion of his only firsthand experience. Writers read literary biography, and surround themselves with other writers, deliberately to enforce in themselves the ludicrous notion that a reasonable option for occupying yourself on the planet until your life span plays itself out is sitting in a small room for the duration, in the company of pieces of paper. ”

“It was only after two years' work that it occurred to me that I was a writer. I had no particular expectation that the novel would ever be published, because it was sort of a mess. It was only when I found myself writing things I didn't realise I knew that I said, 'I'm a writer now.' The novel had become an incentive to deeper thinking. That's really what writing is—an intense form of thought.”