“It is not history. But I am beginning to wonder strongly what is the nature of history. Is it only memory in decent sentences, and if so, how reliable is it? I would suggest, not very. And that therefore most truth and fact offered by these syntactical means is treacherous and unreliable. And yet I recognise that we live our lives, and even keep our sanity, by the lights of this treachery and this unreliability, just as we build our love of country on these paper worlds of misapprehension and untruth. Perhaps this is our nature, and perhaps unaccountably it is part of our glory as a creature, that we can build our best and most permanent buildings on foundations of utter dust.”

“Now yet again I discover I do not have the language, the lingo, to talk to her about this, or about anything. We have neglected the tiny sentences of life and now the big ones are beyond our reach.”

“We have neglected the tiny sentences of life and now the big ones are beyond our reach.”

“Whose sleeve do I have to grip, to tell my story to? It used to be Bet. Now, sleeveless. And I am sure I gripped her sleeve many a time too many. In my own parlance, 'feasting' on her energy, and giving nothing back. Well, maybe. We had most excellent days. We were the king and queen of coffee in the morning, in the dark of winter, in the early morning sun of summer that came right in our windows, right in, to wake us. Ah, yes, small matters. Small matters, that we call sanity, or the cloth that makes sanity. Talking to her in those times made - no, God preserve me from sentimentality. Those days are over. Now we are two foreign countries and we simply have our embassies in the same house. Relations are friendly but strictly diplomatic. There is an underlying sense of rumour, of judgement, of memory, like two peoples that have once committed grave crimes against each other, but in another generation. We are a statelet of the Baltics. Except, blast her, she has never done anything to me. It is atrocity all one way.”

“It is funny, but it strikes me that a person without anecdotes that they nurse while they live, and that survive them, are more likely to be utterly lost not only to history but the family following them. Of course this is the fate of most souls, reducing entire lives, no matter how vivid and wonderful, to those sad black names on withering family trees, with half a date dangling after and a question mark.”

“It is very difficult to be a hero without an audience, although, in a sense, we are each the hero of a peculiar, half-ruined film called our life.”

“The movie Koyaanisqatsi shows non-commented time-lapse footage and focuses our attention on the very rhythm of our civilized modern life and nature. A marijuana high can do something for a user similar to what this time-lapse footage does. The enhancement of episodic memory and the acceleration of associative streams of memories can alter and enhance our recognition of patterns in our lives in various ways. If we are presented with quick associative chains of past experiences, we can see a pattern in a body of information that is usually not at once presented to our “inner eye” as such.”