“Did someone actually have to do bad things to be a bad boy, or was it all about the potential? If it was the potential that counted, then maybe it was the restraint that was so sexy, knowing that he could do something dangerous and powerful but had the restraint not to.”

“To believe that will has power over potentiality, that the passage to actuality is the result of a decision that puts an end to the ambiguity of potentiality (which is always potentiality to do and not to do) — this is the perpetual illusion of morality.”

“Accepting all the good and bad about someone. It's a great thing to aspire to. The hard part is actually doing it.”

“Nobody wants to admit to this, but bad things will keep on happening. Maybe that's beause it's all a chain, and a long time ago someone did the first bad thing, and that led someone else to do another bad thing, and so on.You know, like that game where you whisper a sentence into someone's ear, and that person whispers it to someone else, and it all comes out wrong in the end. But then again, maybe bad things happen because it's the only way we can keep remembering what good is supposed to look like.”

“This wasn't the person he'd thought he was, or would have chosen to be if he'd been free to choose, but there was something comforting and liberating about being an actual definite someone, rather than a collection of contradictory potential someones.”

“Good art is like a sexy pair of lips—it has the potential to say so much, but prefers to have you do all the talking about it. Also, good art is fun to kiss and make out with (especially statues and portraits).”