“Everyone I have lost in the closing of a doorthe click of the lockis not forgotten, theydo not die but remainwithin the soft edgesof the earth, the ashof house fires and cancerin sin and forgivenesshuddled under old blanketsdreaming their way intomy hands, my heartclosing tight like fists.- "Indian Boy Love Song #1”

“Hey," Victor said. "Tell me a story."Thomas closed his eyes and told this story: "There were these two Indian boys who wanted to be warriors. But it was too late to be warriors in the old way. All the horses were gone. So the two Indian boys stole a car and drove to the city. They parked the stolen car in front of the police station and then hitchhiked back home to the reservation. When they got back, all their friends cheered and their parents' eyes shone with pride. You were very brave, everybody said to the two Indian boys. Very brave.""Ya-hey," Victor said. "That's a good one. I wish I could be a warrior.”

“I didn't literally kill Indians. We were supposed to make you give up being Indian. Your songs and stories and language and dancing. Everything. We weren't trying to kill Indian people. We were trying to kill Indian culture.”

“And I couldn't make fun of her for that dream. It was my dream, too. And Indian boys weren't supposed to dream like that. And white girls from small towns weren't supposed to dream big, either.We were supposed to be happy with our limitations. But there was no way Penelope and I were going to sit still. Nope, we both wanted to fly:”

“All of the Indians must have tragic features: tragic noses, eyes, and arms.Their hands and fingers must be tragic when they reach for tragic food.The hero must be a half-breed, half white and half Indian, preferablyfrom a horse culture. He should often weep alone. That is mandatory.If the hero is an Indian woman, she is beautiful. She must be slenderand in love with a white man. But if she loves an Indian manthen he must be a half-breed, preferably from a horse culture.If the Indian woman loves a white man, then he has to be so whitethat we can see the blue veins running through his skin like rivers.When the Indian woman steps out of her dress, the white man gaspsat the endless beauty of her brown skin. She should be compared to nature: brown hills, mountains, fertile valleys, dewy grass, wind, and clear water.If she is compared to murky water, however, then she must have a secret.Indians always have secrets, which are carefully and slowly revealed.Yet Indian secrets can be disclosed suddenly, like a storm.Indian men, of course, are storms. The should destroy the livesof any white women who choose to love them. All white women loveIndian men. That is always the case. White women feign disgustat the savage in blue jeans and T-shirt, but secretly lust after him. White women dream about half-breed Indian men from horse cultures.Indian men are horses, smelling wild and gamey. When the Indian manunbuttons his pants, the white woman should think of topsoil.There must be one murder, one suicide, one attempted rape.Alcohol should be consumed. Cars must be driven at high speeds.Indians must see visions. White people can have the same visionsif they are in love with Indians. If a white person loves an Indianthen the white person is Indian by proximity. White people must carryan Indian deep inside themselves. Those interior Indians are half-breedand obviously from horse cultures. If the interior Indian is male then he must be a warrior, especially if he is inside a white man.If the interior Indian is female, then she must be a healer, especially if she is insidea white woman. Sometimes there are complications.An Indian man can be hidden inside a white woman. An Indian womancan be hidden inside a white man. In these rare instances, everybody is a half-breed struggling to learn more about his or her horse culture.There must be redemption, of course, and sins must be forgiven.For this, we need children. A white child and an Indian child, gendernot important, should express deep affection in a childlike way.In the Great American Indian novel, when it is finally written, all of the white people will be Indians and all of the Indians will be ghosts.”

“That's how I do this life sometimes by making the ordinary just like magic and just like a card trick and just like a mirror and just like the disappearing. Every Indian learns how to be a magician and learns how to misdirect attention and the dark hand is always quicker than the white eye and no matter how close you get to my heart you will never find out my secrets and I'll never tell you and I'll never show you the same trick twice. I'm traveling heavy with illusions.”

“Gordie, the white boy genius, gave me this book by a Russian dude named Tolstoy, who wrote, 'Happy families are all alike; every unhappy family is unhappy in its own way.' Well, I hate to argue with a Russian genius, but Tolstoy didn't know Indians, and he didn't know that all Indian families are unhappy for the same exact reasons: the frikkin' booze.”