“He loved her, of course, but better than that, he chose her, day after day. Choice: that was the thing.”

“He likes to pretend he lives inside the comic books. I guess a fake life inside a cartoon is a lot better than his real life.”

“She was in pain and I loved her, sort of loved her, I guess, so I kind of had to love her pain, too.”

“Did she say anything before she died?" he asked."Yes," the surgeon said. "She said, 'Forgive him'""Forgive him?" my father asked."I think she was referring to the drunk driver who killed her."Wow.My grandmother's last act on earth was a call for forgiveness, love and tolerance.She wanted us to forgive Gerald, the dumb-ass Spokane Indian alcoholic who ran her over and killed her.I think My Dad wanted to go find Gerald and beat him to death.I think my mother would have helped him.I think I would have helped him, too.But my grandmother wanted us to forgive her murderer.Even dead, she was a better person than us.”

“9.In the darkness, her dark body grows darkeruntil I am making love to her and her shadow.”

“Coyote, who is the creator of all of us, was sitting on his cloud the day after he created Indians. Now, he liked the Indians, liked what they were doing. This is good, he kept saying to himself. But he was bored. He thought and thought about what he should make next in the world. But he couldn't think of anything so he decided to clip his toenails. ... He looked around and around his cloud for somewhere to throw away his clippings. But he couldn't find anywhere and he got mad. He started jumping up and down because he was so mad. Then he accidentally dropped his toenail clippings over the side of the cloud and they fell to the earth. They clippings burrowed into teh ground like seeds and grew up to be white man. Coyote, he looked down at his newest creation and said, "Oh, shit.”

“All of the Indians must have tragic features: tragic noses, eyes, and arms.Their hands and fingers must be tragic when they reach for tragic food.The hero must be a half-breed, half white and half Indian, preferablyfrom a horse culture. He should often weep alone. That is mandatory.If the hero is an Indian woman, she is beautiful. She must be slenderand in love with a white man. But if she loves an Indian manthen he must be a half-breed, preferably from a horse culture.If the Indian woman loves a white man, then he has to be so whitethat we can see the blue veins running through his skin like rivers.When the Indian woman steps out of her dress, the white man gaspsat the endless beauty of her brown skin. She should be compared to nature: brown hills, mountains, fertile valleys, dewy grass, wind, and clear water.If she is compared to murky water, however, then she must have a secret.Indians always have secrets, which are carefully and slowly revealed.Yet Indian secrets can be disclosed suddenly, like a storm.Indian men, of course, are storms. The should destroy the livesof any white women who choose to love them. All white women loveIndian men. That is always the case. White women feign disgustat the savage in blue jeans and T-shirt, but secretly lust after him. White women dream about half-breed Indian men from horse cultures.Indian men are horses, smelling wild and gamey. When the Indian manunbuttons his pants, the white woman should think of topsoil.There must be one murder, one suicide, one attempted rape.Alcohol should be consumed. Cars must be driven at high speeds.Indians must see visions. White people can have the same visionsif they are in love with Indians. If a white person loves an Indianthen the white person is Indian by proximity. White people must carryan Indian deep inside themselves. Those interior Indians are half-breedand obviously from horse cultures. If the interior Indian is male then he must be a warrior, especially if he is inside a white man.If the interior Indian is female, then she must be a healer, especially if she is insidea white woman. Sometimes there are complications.An Indian man can be hidden inside a white woman. An Indian womancan be hidden inside a white man. In these rare instances, everybody is a half-breed struggling to learn more about his or her horse culture.There must be redemption, of course, and sins must be forgiven.For this, we need children. A white child and an Indian child, gendernot important, should express deep affection in a childlike way.In the Great American Indian novel, when it is finally written, all of the white people will be Indians and all of the Indians will be ghosts.”