“James tells the crowd that the river is just a few yards from where we stand is all we ever need to believe in. One white woman asks how old James is and I tell her he's seven and she tells me that he's so smart for an Indian boy. James hears this and tells the white woman that she's pretty smart for an old white woman.”

“All of the Indians must have tragic features: tragic noses, eyes, and arms.Their hands and fingers must be tragic when they reach for tragic food.The hero must be a half-breed, half white and half Indian, preferablyfrom a horse culture. He should often weep alone. That is mandatory.If the hero is an Indian woman, she is beautiful. She must be slenderand in love with a white man. But if she loves an Indian manthen he must be a half-breed, preferably from a horse culture.If the Indian woman loves a white man, then he has to be so whitethat we can see the blue veins running through his skin like rivers.When the Indian woman steps out of her dress, the white man gaspsat the endless beauty of her brown skin. She should be compared to nature: brown hills, mountains, fertile valleys, dewy grass, wind, and clear water.If she is compared to murky water, however, then she must have a secret.Indians always have secrets, which are carefully and slowly revealed.Yet Indian secrets can be disclosed suddenly, like a storm.Indian men, of course, are storms. The should destroy the livesof any white women who choose to love them. All white women loveIndian men. That is always the case. White women feign disgustat the savage in blue jeans and T-shirt, but secretly lust after him. White women dream about half-breed Indian men from horse cultures.Indian men are horses, smelling wild and gamey. When the Indian manunbuttons his pants, the white woman should think of topsoil.There must be one murder, one suicide, one attempted rape.Alcohol should be consumed. Cars must be driven at high speeds.Indians must see visions. White people can have the same visionsif they are in love with Indians. If a white person loves an Indianthen the white person is Indian by proximity. White people must carryan Indian deep inside themselves. Those interior Indians are half-breedand obviously from horse cultures. If the interior Indian is male then he must be a warrior, especially if he is inside a white man.If the interior Indian is female, then she must be a healer, especially if she is insidea white woman. Sometimes there are complications.An Indian man can be hidden inside a white woman. An Indian womancan be hidden inside a white man. In these rare instances, everybody is a half-breed struggling to learn more about his or her horse culture.There must be redemption, of course, and sins must be forgiven.For this, we need children. A white child and an Indian child, gendernot important, should express deep affection in a childlike way.In the Great American Indian novel, when it is finally written, all of the white people will be Indians and all of the Indians will be ghosts.”

“You must be a rich man," she said. "Not much of a warrior, though. You keep letting me sneak up on you."You don't surprise me," he said. "The Plains Indians had women who rode their horses eighteen hours a day. They could shoot seven arrows consecutively, have them all in the air at the same time. They were the best light cavalry in the world." Just my luck," she said. "An educated Indian."Yeah," he said. "Reservation University."They both laughed at the old joke. Every Indian is an alumnus.Where you from?" she asked.Wellpinit," he said. "I'm a Spokane."I should've known. You got those fisherman's hands."Ain't no salmon left in our river. Just a school bus and a few hundred basketballs."What the hell you talking about?"Our basketball team drives into the river and drowns every year," he said. "It's a tradition."She laughed. "You're just a storyteller, ain't you?"I'm just telling you things before they happen," he said. "The same things sons and daughters will tell your mothers and fathers."Do you ever answer a question straight?"Depends on the question," he said.Do you want to be my powwow paradise?”

“The white woman across the aisle from me says 'Look, look at all the history, that houseon the hill there is over two hundred years old, 'as she points out the window past meinto what she has been taught. I have learnedlittle more about American history during my few daysback East than what I expected and far lessof what we should all know of the tribal storieswhose architecture is 15,000 years olderthan the corners of the house that sitsmuseumed on the hill. 'Walden Pond, 'the woman on the train asks, 'Did you see Walden Pond? 'and I don't have a cruel enough heart to breakher own by telling her there are five Walden Pondson my little reservation out Westand at least a hundred more surrounding Spokane, the city I pretended to call my home. 'Listen, 'I could have told her. 'I don't give a shitabout Walden. I know the Indians were living storiesaround that pond before Walden's grandparents were bornand before his grandparents' grandparents were born.I'm tired of hearing about Don-fucking-Henley saving it, too, because that's redundant. If Don Henley's brothers and sistersand mothers and father hadn't come here in the first placethen nothing would need to be saved.'But I didn't say a word to the woman about WaldenPond because she smiled so much and seemed delightedthat I thought to bring her an orange juiceback from the food car. I respect eldersof every color. All I really did was eatmy tasteless sandwich, drink my Diet Pepsiand nod my head whenever the woman pointed outanother little piece of her country's historywhile I, as all Indians have donesince this war began, made plansfor what I would do and say the next timesomebody from the enemy thought I was one of their own.”

“A few days earlier, Chess and Thomas had driven to Spokane for a cheap hamburger. They walked in downtown Spokane and stumbled onto a drunk couple arguing. "Get the fuck away from me!" the drunk woman yelled at her drunk husband, who squeezed his hand into a fist like he meant to hit her. Thomas and Chess flinched, then froze, transported back to all of those drunken arguments they'd witnessed and survived. The drunk couple in downtown Spokane pulled at each other's clothes and hearts, but they were white people. Chess and Thomas knew that white people hurt each other, too. Chess knew that white people felt pain just like Indians, Nerve endings, messages to the brain, reflexes. The doctor swung hammer against knee, and the world collapsed. "You fucker!" the white woman yelled at her husband, who opened his hands and held them out to his wife. An offering. That hand would not strike her. He pleaded with his wife until she fell back into his arms. That white woman and man held each other while Chess and Thomas watched. A hundred strangers walked by and never noticed any of it.After that, Chess and Thomas had sat in the van in a downtown parking lot. Thomas began to weep, deep ragged tears that rose along his rib cage, filled his mouth and nose, and exploded out.”

“The streetlight outside my house shines on tonight and I'm watching it like it could give me a vision. James ain't talked ever and he looks at that streetlight like it was a word and maybe like it was a verb. James wanted to streetlight me and make me bright and beautiful so all the moths and bats would circle me like I was the center of the world an held secrets.”

“Those Montana Indians were so tough that white people were scared of them.Can you imagine a place where white people are scared of Indians and not the other way around?That's Montana.”