“She wanted to find a way to love them in death, because she forgot how to love them in life.”

“Did she say anything before she died?" he asked."Yes," the surgeon said. "She said, 'Forgive him'""Forgive him?" my father asked."I think she was referring to the drunk driver who killed her."Wow.My grandmother's last act on earth was a call for forgiveness, love and tolerance.She wanted us to forgive Gerald, the dumb-ass Spokane Indian alcoholic who ran her over and killed her.I think My Dad wanted to go find Gerald and beat him to death.I think my mother would have helped him.I think I would have helped him, too.But my grandmother wanted us to forgive her murderer.Even dead, she was a better person than us.”

“He'd been just like all of the other performers in the world. He'd wanted to be universally loved. He wasn't all that different from Victor, Thomas, or even Junior. They all got onstage and wanted the audience to believe in them. They all wanted the audience to throw their room keys, panties, confessions, flowers, and songs onstage. They wanted the audience to trust them with their secrets.”

“As a child, I read because books–violent and not, blasphemous and not, terrifying and not–were the most loving and trustworthy things in my life. I read widely, and loved plenty of the classics so, yes, I recognized the domestic terrors faced by Louisa May Alcott’s March sisters. But I became the kid chased by werewolves, vampires, and evil clowns in Stephen King’s books. I read books about monsters and monstrous things, often written with monstrous language, because they taught me how to battle the real monsters in my life.And now I write books for teenagers because I vividly remember what it felt like to be a teen facing everyday and epic dangers. I don’t write to protect them. It’s far too late for that. I write to give them weapons–in the form of words and ideas-that will help them fight their monsters. I write in blood because I remember what it felt like to bleed.”

“She was in pain and I loved her, sort of loved her, I guess, so I kind of had to love her pain, too.”

“Corliss wondered what happens to a book that sits unread on a library shelf for thirty years. Can a book rightfully be called a book if it never gets read?...'How many books never get checked out," Corliss asked the librarian. 'Most of them,' she said.Corliss never once considered the fate of library books. She loved books. How could she not worry about the unread? She felt like a disorganized scholar, an abusive mother, and a cowardly soldier.'Are you serious?' Corliss asked. 'What are we talking about here? If you were guessing, what is the percentage of books in this library that never get checked out?' 'We're talking sixty percent of them. Seriously. Maybe seventy percent. And I'm being optimistic. It's probably more like eighty or ninety percent. This isn't a library, it's an orphanage.'The librarian talked in a reverential whisper. Corliss knew she'd misjudged this passionate woman. Maybe she dressed poorly, but she was probably great in bed, certainly believed in God and goodness, and kept an illicit collection of overdue library books on her shelves.”

“You have to love somebody that much to also hate them that much, too.”