“I’m here to take him into custody and deliver him to the Council. (Celena)Well, that sucks. Bank robbery, handing out the passwords for the Dark-Hunter Web site, carjacking, mugging, cats mixing with dogs, and now this…writing a short story. High crimes all. You get the rope and we’ll hang him for it. God forbid the whole twelve subscribers of that magazine should actually read a fictional story and think it real. (Rafael)”

Sherrilyn Kenyon

Sherrilyn Kenyon - “I’m here to take him into custody...” 1

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“Her Squire, Celena, Ms. Blood Rite, I-kill-anything-that-breaks-formation, is on her way over here to have a word with you. Since Celena isn’t real big on conversation, I’m taking that as a euphemism for ‘kick your ass.’ (Rafael)”

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“I'll give you the whole secret to short story writing. Here it is. Rule 1: Write stories that please yourself. There is no Rule 2.”

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“A short story is a sprint, a novel is a marathon. Sprinters have seconds to get from here to there and then they are finished. Marathoners have to carefully pace themselves so that they don't run out of energy (or in the case of the novelist-- ideas) because they have so far to run. To mix the metaphor, writing a short story is like having a short intense affair, whereas writing a novel is like a long rich marriage.”

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“My standard for verisimilitude is simple and I came to it when I started to write prose narrative: fuck the average reader. I was always told to write for the average reader in my newspaper life. The average reader, as they meant it, was some suburban white subscriber with two-point-whatever kids and three-point-whatever cars and a dog and a cat and lawn furniture. He knows nothing and he needs everything explained to him right away, so that exposition becomes this incredible, story-killing burden. Fuck him. Fuck him to hell.”

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