“Wedding was quiet and small, home they shared was soulless, their food bland. Sarla and her husband felt like guests in that home rather than family. They wondered what had happened to their son.”

“Being a woman in India is an altogether different experience. You can’t always see the power women hold, but it is there, in the firm grasp of the matriarchs who still rule most families. It has not been easy for Sarla to navigate the female path: she has become a master traveler, but one with no pupil. She thought she might develop this relationship with one of her daughters-in-law, but the others, like Somer, didn’t quite fill the role. And when they had babies, they relied on their own mothers, leaving her once again in the company of men. But now, Sarla muses as she glances at the clock, anticipating Krishnan’s arrival, she will finally get her granddaughter.”

“You know,” she says softly, “what I’ve learned is that everything’s more complicated than it seems. I’m so glad I came here, got to know my family, learn about where I come from. India is an incredible country. There are parts of it that I love, that really feel like home. But at the same time, there are things here that just make me want to turn away, you know?” She looks to Somer. “Does that sound awful?”“No, honey.” She touches Asha’s cheek with the back of her hand. “I think I understand,” Somer says, and she means it. This country has given her Krishnan and Asha, the most important people in her life. But when she has fought against the power of its influence, it has also been the root of her greatest turmoil.”

“She knows if the test shows another girl growing in her womb, all of the possible outcomes are wrenching. Jasu can demand she have an abortion, right there at the clinic if they had the money. Or he could simply cast her out, forcing her to endure the shame of raising the child alone. She would be shunned, like the other beecharis in the village. But even this, becoming an outcast from her home and community, would not be as bad as the alternative. She cannot face the agony of giving birth, of holding her baby in her arms, only to have it taken away again. Kavita knows in her soul she simply will not survive that.”

“Everyone has been overjoyed with the birth of their first son, bringing celebratory sweets, new clothes for the baby, fennel tea to bolster her milk supply. They have showered on her all the traditional gifts, as if this is her first baby, their first child. What about the other times I’ve carried a baby in my womb, given birth, held my child in my arms? But no one acknowledges this, not even Jasu. Only Kavita has an aching cavity in her heart for what she’s lost. She sees the pride in Jasu’s eyes as he holds his son and forces herself to smile while saying a silent prayer for this child. She hopes she can give him the life he deserves. She prays she will be a good mother to her son, prays she has enough maternal love left in her heart for him, prays it didn’t die along with her daughters.”

“And she knew her defiance in escaping his grasp, even temporarily, had shown Jasu the depth of her strength. In the months afterward, though he behaved awkwardly, he had allowed her the time and space she needed. It was the first genuine show of respect he had made toward her in their four years of marriage. Jasu’s parents made no such concession, their latent disappointment growing into relentless criticism of her for failing to bear a son.Kavita walks outside and spreads her mat on the rough stone steps, where she sits facing the rising sun in the eastShe lights the small ghee-soaked diya and thin stick of incense, and then closes her eyes in prayer. The wisp of fragrant smoke slowly circles its way up into the air and around her. She breathes deeply and thinks, as always, of the baby girls she has lost. She rings the small silver bell and chants softly. She sees their faces and their small bodies, she hears their cries and feels their tiny fingers wrap around hers. And always, she hears the sound of Usha’s desperate cry echoing behind the closed doors of the orphanage. She allows herself to get lost in the depths of her grief. After she has chanted and sung and wept for some time, she tries to envision the babies at peace, wherever they are. She pictures Usha as a little girl, her hair wound in two braids, each tied with a white ribbon. The image of the girl in her mind is perfectly clear: smiling, running, and playing with children, eating her meals and sleeping alongside the others in the orphanage.Every morning, Kavita sits in the same place outside her home with her eyes closed until the stormy feelings peak and then, very gradually, subside. She waits until she can breathe evenly again. By the time she opens her eyes, her face is wet and the incense has burned down to a small pile of soft ash. The sun is a glowing orange ball on the horizon, and the villagers are beginning to stir around her. She always ends her puja by touching her lips to the one remaining silver bangle on her wrist, reconciling herself to the only thing she has left of her daughters. These daily rituals have brought her comfort and, over time, some healing. She can carry herself through the rest of the day with these peaceful images of Usha in her mind. Each day becomes more bearable. As days turn to weeks, and weeks to months, Kavita feels her bitterness toward Jasu soften. After several months, she allows him to touch her and then, to reach for her at night.”

“At some point, the family you create is more important than the one you were born into.”