“I let go of my remorse...of wanting to fix his problems and cure his pain. This seems like such a common female thing, to lose oneself completely when trying to take care of others, but really, it is just another form of control, one that grants no faith in the other person and denies that they have the power and ability to help themselves.”
“Whether they realized it or not, they were doubting possibility, and the unknown. They believed I would fail. And when we only believe what has been said before, what has been done before, we give our own power away. Possibility evaporates; potential melts and seeps away deep into the earth below us. We cut ourselves short by thinking this way. I have always felt that it is from what we believe that our lives are created, not the other way around.”
“Between the head and the heart is the voice, and our voice reflects our choices: the way we reconcile what we think and what we feel; what we know and what we desire. Our voice reaches the world through the manner in which we live - sound is unnecessary; we show others who we are by the way we go through life, and touch everyone we meet with who we are in that moment.”
“It's so egotistical to believe that we know more about someone else's reality than they do, and such a waste of time.”
“Words are Hamlet's constant companions, his weapons, and his defenses. ...And yet, words also serve as Hamlet's prison. He analyzes and examines every nuance of his situation until he has exhausted every angle. They cause him to be indecisive. He dallies in his own wit, intoxicated by the mix of words he can concoct; he frustrates his own burning desire to be more like his father, the Hyperion. When he says that Claudius is "... no more like my father than I to Hercules" he recognizes his enslavement to words, his inability to thrust home his sword of truth. No mythic character is Hamlet. He is stuck, unable to avenge his father's death because words control him.”
“Webster, as if he's done it every day of his life, as if he did it just the day before, trails his fingers from the small of Sheila's back to the nape of her neck.Sheila turns her head, "Go slowly and be careful," she says.”
“It was probably not so unusual to be a different person with a different man, for all parts were authentically within, waiting to be coaxed out by one person or another”