“his understanding of transference in the therapeutic relationship and the presumed value of dreams as sources of insight into unconscious desires. He is commonly referred to as "the father of psychoanalysis" and his work has been highly influential-—popularizing such notions as the unconscious, defense mechanisms, Freudian slips and dream symbolism — while also making a long-lasting impact on fields as diverse as literature (Kafka), film, Marxist and feminist theories, literary criticism, philosophy, and psychology. However, his theories remain controversial and widely disputed. Source: Wikipedia”

“In his creative work the artist is dependent on sources and resources deriving from the spiritual unconscious.”

“The very power of [textbook writers] depends on the fact that they are dealing with a boy: a boy who thinks he is ‘doing’ his ‘English prep’ and has no notion that ethics, theology, and politics are all at stake. It is not a theory they put into his mind, but an assumption, which ten years hence, its origin forgotten and its presence unconscious, will condition him to take one side in a controversy which he has never recognized as a controversy at all.”

“The 1980s: feminism, postmodernism, sexual/textual politicsWhile it might be tempting to generalise that Woolf ’s writing was being discussed almost in two separate camps during the 1980s, formalists on the one hand, and feminists on the other, this would be to simplify things too far.Many critics were attempting to make sense of and connect her feminist politics with her modernist practices. Such investigations coincided with the explosion of theory in literary studies, and once again the work of VirginiaWoolf was central to the framing of many of the major theoretical developments in literary critical engagements with feminism, postmodernism, deconstruction and psychoanalysis. In the context of the rise of ‘high theory’and the questioning of old-school Marxist, materialist, humanist and historicist literary theories, Woolf studies wrestled with the locating of her radical feminist politics in the avant-garde qualities of the text itself, and its endlessly transgressive play of signifiers, with the Woolfian inscription of radically deconstructed models of the self and of sexuality and jouissance.”

“Herman Melville (August 1, 1819 – September 28, 1891) was an American novelist, short story writer, essayist, and poet. His earliest novels were bestsellers, but his popularity declined later in his life. By the time of his death he had virtually been forgotten, but his longest novel, Moby-Dick — largely considered a failure during his lifetime, and responsible for Melville's drop in popularity — was rediscovered in the 20th century as a literary masterpiece. Source: Wikipedia”

“The great discovery of psychoanalysis was that of the production of desire, of the production of the unconscious. But once Oedipus entered the picture, the discovery was soon buried beneath the new brand of idealism: a classical theater was substituted for the unconscious as a factory: representation was substituted for the units of production of the unconscious; and an unconscious that was capable of nothing but expressing itself – in myth, tragedy, dreams – was substituted for the productive unconscious”