“Only the eyes give him away his equilibrium. He looks like a man who has seen too much”

“McLarney laughs, then leaps into the parable of Snot Boogie, who joined the neighborhood crap game, waited for the pot to thicken, then grabbed the cash and bolted down the street only to be shot dead by one of the irate players."So we're interviewing the witnesses down at the office and they're saying how Snot Boogie would always join the crap game, then run away with the pot, and that they'd finally gotten sick of it..."Dave Brown drives in silence, barely tracking this historical digression."And I asked one of them, you know, I asked him why they even let Snot Boogie into the game if he always tried to run away with the money."McLarney pauses for effect."And?" asks Brown."He just looked at me real bizarre," says McLarney. "And then he says, 'you gotta let him play....This is America”

“He could not talk himself out of pain any longer. He had no one to be strong for. So finally, he cried. He cried with deep sobs, head bent to the ground, palms pressed to his eyes. He cried so hard that sorrow rushed out of his face. He cried until he felt like the sea.”

“A man walks down the street. It's a street in a strange world. Maybe it's the third world. Maybe it's his first time around. He doesn't speak the language. He holds no currency. He is a foreign man. He is surrounded by the sound, sound of cattle in the marketplace, scatterlings and orphanages. He looks around, around he sees angels in the architecture spinning in infinity and he says, "Amen" and "Hallelujah!”

“Well, ain't that just the way of the world. Everything come to an end, whether you wants it to or not. All that nature out there: over. The Snare: dead and gone. Even a love that make a man giddy and romantic, that give him a hope and joy he never known, that brave him into taking a slingshot to the impossible and bringing it almost complete to its knees -- even a love like that come to an end. Life just ashes to ashes and dust to dust. And there is nothing you can do about it neither. (Homan)”

“The Nightside CSI is only one man, pleasant enough, calm and easy going, and very professional. It probably helps that he has multiple personality disorder with a sub-personality for every speciality and discipline in his profession. One to handle fingerprints, another to examine blood splatter or look for magical residues...He's really quite good at his job though he does tend to argue with himself.Between himself he knows everything he needs to know. Each sub-personality has a different voice. Some of them are women. I've never asked.”

“Michael Freeman was thirty-five years old – a former Special Forces soldier turned policeman. He was a tall and slim black man, with grey-flecked hair and dark almond-shaped eyes. His smile was tight-lipped – half knowing and half strategic. It hid a mouthful of craggy teeth. A childhood in Detroit's East Side with an aggressive, alcoholic father had taught him to play things close to his chest, to look and listen. His colleagues knew him as a patient thinker, sedulous, missing nothing given time. Intellectually savvy and emotionally guarded, he exuded certitude. In Afghanistan, in the immediate aftermath of 9/11, he spent several weeks as a mounted outlier with the Northern Alliance in the Alma Tak Mountains, beyond the range of reinforcement or rescue – drinking filtered ditchwater and eating nuts scavenged from corpses – and calling down massive airstrikes on Taliban positions. He gained a certain reputation. Word spread the length of the Darya Suf River valley, through the Tiangi Gap to the stronghold at Mazar-i-Sharif that there was a monster loose in the mountains and the Taliban called him ‘bor-buka', which seemed to mean black or devil or whirlwind, and, at times, all of these things.”