“An end to timidity - the replacement of the philologically tentative by the lexicographically decisive." - on the making of the Oxford English Dictionary”

“Any grand new dictionary ought itself to be a democratic product, a book that demonstrated the primacy of individual freedoms, of the notion that one could use words freely, as one liked, without hard and fast rules of lexical conduct.”

“No critic and advocate of immutability has ever once managed properly or even marginally to outwit the English language's capacity for foxy and relentlessly slippery flexibility. For English is a language that simply cannot be fixed, not can its use ever be absolutely laid down. It changes constantly; it grows with an almost exponential joy. It evolves eternally; its words alter their senses and their meanings subtly, slowly, or speedily according to fashion and need.”

“The very name Impressionism is taken from an Atlantic Ocean painting - that of Monet, of sunrise in the harbor of Le Havre, done in 1872.”

“And after that, and also for each word, there should be sentences that show the twists and turns of meanings—the way almost every word slips in its silvery, fishlike way, weaving this way and that, adding subtleties of nuance to itself, and then perhaps shedding them as public mood dictates.”

“How come "burbled" gets to be in the Oxford English Dictionary but "tulgy" doesn't? Hm?”

“Ultimately, we are all products of the experiences we have and the decisions we make as children, and it remains a peculiar detail of human condition that something as precious as the future is entrusted to us when we possess so little foresight. Perhaps that's what makes hindsight so intriguing. When you're young the future is a blank canvas, but looking back you are always able to see the big picture.”