“I couldn't think of anything I wanted to do or any place I wanted to be more than home. Where I can walk around the yard, sweeping leaves off the slate paths to my heart's content. Where I can spend all day in my pajamas puttering around the house, or curled up in my favorite chair in the family room next to the big stone fireplace. The walls are papered deep red, hung with Madison's paintings and lined with our favorite books. The furniture is comfortable and inviting. Our house is made to be lived in; we use every inch of it and don't mind the signs of wear and tear. There's a deep dent in the floor next to the hearth ... It's part of the story of this house, where a family has left its mark, and where it continues to grow and evolve.”

“At home I used to walk through emotional wastelands where the lines on craggy faces were so deep that the wind whistled through them. People fell in and out of my life, but it was the places that really mattered. Even now I can feel them tugging at my sleeve and spinning around in my head. All the old stories have it wrong, because it's not the ghost that haunts the house; it's the house that haunts the ghost. I feel lost out here, and everything reminds me that I'm not quite real. In the end it's always home that damns us.”

“...we have, each of us, a story that is uniquely ours, a narrative arc that we can walk with purpose once we figure out what it is. It's the opposite to living our lives episodically, where each day is only tangentially connected to the next, where we are ourselves the only constants linking yesterday to tomorrow. There is nothing wrong with that, and I don't want to imply that there is by saying how much this shocked me -- just that it felt so suddenly, painfully right to think that I have tapped into my Long Tale, that I have set my feet on the path I want to walk the rest of my life, and that it is a path of stories and writing and that no matter how many oceans I cross or how transient I feel in any given place, I am still on my Tale's Road, because having tapped it, having found it, the following is inevitable....”

“There's something about houses that intrigues me. I mean, they're the place where families spend all their time together, making the house filled with love, life, and laughter. I always look at houses and wonder what's going on inside. Without the people who lived in them, they're just a shell, but once they're filled, they become sacred ground, the place where memories are made.”

“It is so demanding to be born into a house full of women, where everyone loves you so overwhelmingly that they end up suffocating with their love; a house where you, as the only child, have to be more mature than all the adults around....But the problem is that they want me to become everything they themselves couldn't accomplish in life.....As a result, I had to work my butt off to fulfill all their dreams at the same time.”

“The Second Koran tells us that the darkness in ourselves is a sinister thing. It waits until we relax, it waits until we reach the most vulnerable moments, and then it snares us. I want to be dutiful. I want to do what I should. But when I go back to the tube, I think of where I am going; to that small house and my empty room. What will I do tonight? Make more paper flowers, more wreaths? I am sick of them. Sick of the Nekropolis.I can take the tube to my mistress' house, or I can go by the street where Mardin's house is. I'm tired. I'm ready to go to my little room and relax. Oh, Holy One, I dread the empty evening. Maybe I should go by the street just to fill up time. I have all this empty time in front of me. Tonight and tomorrow and the week after and the next month and all down through the years as I never marry and become a dried-up woman. Evenings spent folding paper. Days cleaning someone else's house. Free afternoons spent shopping a bit, stopping in tea shops because my feet hurt. That is what lives are, aren't they? Attempts to fill our time with activity designed to prevent us from realizing that there is no meaning?”