“She is not a musical girl nor, intrinsically, a joyful girl; but the music of the four Swedes shook something awake inside her, and when she heard it she felt airborne and strong.”
“She had witnessed the world's most beautiful things, and allowed herself to grow old and unlovely. She had felt the heat of a leviathan's roar, and the warmth within a cat's paw. She had conversed with the wind and had wiped soldier's tears. She had made people see, she'd seen herself in the sea. Butterflies had landed on her wrists, she had planted trees. She had loved, and let love go. So she smiled.”
“Though she'd try to do otherwise, she had never been able to stop cluttering her present with her past. Now somebody she didn't know would pack her treasures into plastic bags and carry them away. A life, at its end, is a pile of cloth and paper, and goods that can be bagged and labelled. None of the best things - the voice and the laugh, the tilt of the head, the things seen and felt and spoken - are allowed to stay behind.”
“Evangeline's obliviousness was a reason to like her rather than not: I liked least those schoolfellows whose awareness of me invariably caused misery.”
“Life is lived on the inside. What's outside doesn't matter.”
“We walked into the forests which encircled the town. I have never liked them, their dark throat, their sullen height, their slump-shouldered gloom. But Evangeline walked steadily into their maw, and I followed her. She wanted to see the swathes which, years ago, the firebug had burned. The furnaced forest was green again, though here and there stood leafless trunks cindered to the core; on the scruffy dirt lay stiff black limbs tangled in morning-glory. Evangeline touched her palm to the charcoal, murmured, 'Poor things.”