“I think it doesn't really make a difference where she is, because she always takes herself with her.”

“She always had to have someone to love...She couldn't seem to believe that anyone could really love her. She always thought it was because she was a star, not just because of her herself, and she always had to be reassured.”

“She's talking about herself in the third person because the idea of being who she is, of acknowledging that she is herself, is more than her pride can take.”

“But she found herself drawn to Ivy because he wasn't like her at all, wasn't like anyone, really. Most people were different because they wanted to be noticed. ivy was different because he couldn't be anyone else”

“She protected herself by making herself believe no-one else could ever really understand her.”

“In classical pas de deux, the man controls everything. He picks up the girl. He puts her down. He turns her, takes her weight, stops her, and she must always go where he leads. The woman submits to all this completely. But her submission is not feeble. In fact, the only reason she can submit so utterly is because she is very strong in herself. In her center. She does not collapse, or cave, or stutter-step, or flop. No, she holds herself very consciously, very confidently. She is centered within her own weight. So the man always knows where she is. He can feel her. He can absorb her strength.”