“Trust Jess to get engaged all discreetly and not say a word. I'd have run straight in, saying, "Guess what? Look at my pebble ring!”

“Obviously this is engagement ring city. Couples are wandering along and girls are pointing through the windows and the men are smiling but all look slightly sick whenever their girlfriends turn away.”

“You know what Hans told me last week?" she says as I open the door of my fitting room. "He told me to write down a list of everything I wanted to say about that women-and then tear it up. He said I'd feel a sense of freedom.""Oh right," I say interestedly. "So what happened?" "I wrote it all down," says Laurel. "And then I mailed it to her!”

“The streak of bleach in my hair is as obvious as ever. Am I really going out in public like this? I push my hair backward and forward a few times - but I can't hide it. Maybe I could walk along with my hand carelessly positioned at my head, as if I'm thinking hard. I attempt a few casual, pensive poses in the mirror."Is your head all right?"I swivel round in shock to see Nathaniel at the open door, wearing a plaid shirt and jeans."Er...fine," I say, my hand still glued to my head. "I was just..."Oh, there's no point. I bring my hand down from my hair and Nathaniel regards the streak for a moment."It looks nice," he says. "Like a badger.""A badger?" I say, affronted. "I don't look like a badger.""Badgers are beautiful creatures," says Nathaniel with a shrug. "I'd rather look like a badger than a stoat.”

“Ciao," I say casually, and flick my hair back. "Si. Ciao."I could so be Italian. Except I might have to learn a few more words.”

“I often wonder what she's thinking," says Ed, still gazing up at her. "That's quite an intriguing expression she has.""I often wonder that myself," chimes in Malcolm Gledhill eagerly. "She seems to have such a look of serenity and happiness...Obviously, from what you've said, she has a certain emotional connection with the painter Malory...I often wonder if he was reading her poetry as he painted...""What an idiot this man is," says Sadie scathingly in my ear. "It's obvious I what I'm thinking. I'm looking at Stephan and I'm thinking, I want to jump his bones.""She wanted to jump his bones," I say to Malcolm Gledhill. Ed shoots me a disbelieving look, then bursts into laughter.”

“There are some things I don't understand about Jess and never will. No wedding dress. No flowers. No photo album. No champagne. The only thing she got out of her wedding was a husband. (I mean, obviously the husband is the main point when you get married. Absolutely. That goes without saying. But still, not even a new pair of shoes?)”