“Fuck, she was so sick of herself-herself and her fucking emotional retardation. How did people do this shit all the time, this wanting people, caring about them? How did they stand it, how did they ever get anything done? She was sick of being lost.”

“How the hell did people do this, this emotion-and-forgiveness thing? How did they stand these feelings? She could barely handle it and she had lovely, necessary, reason-for-living drugs to smooth over the rough spots. How did people do this shit sober?”

“Theo felt a lump in his throat, what the hell was all this emotion about? Gods did women feel like this all of the time, how the hell did they get anything done?”

“The cliche had it that kids were the future, but that wasn't it: they were the unreflective, active present. They were not themselves nostalgic, because they couldn't be, and they retarded nostalgia in their parents. Even as they were getting sick and being bullied and becoming addicted to heroin and getting pregnant, they were in the moment, and she wanted to be in it with them. She wanted to worry herself sick about schools and bullying and drugs.”

“So often, she had found herself transported by music. She would get lost, lose herself to the time and fullness of the tones, the way it conjured up air around her as she listened or as she played. But this, she thought, one did not get lost in this music.One was delivered by it.”

“What? she said once to herself, and then once aloud, What? She felt a total displacement, like a spinning globe brought to a sudden halt by the light touch of a finger. How did she end up here, like this? How could there have been so much - so many moments, so many people and things, so many razors and pillows, timepieces and subtle coffins - without her being aware? How did her life live itself without her?”