“The enemy is typically depicted as a dangerous octopus, a vicious dragon, a multiheaded hydra, a giant venomous tarantula, or an engulfing Leviathan. Other frequently used symbols include vicious predatory felines or birds, monstrous sharks, and ominous snakes, particularly vipers and boa constrictors. Scenes depicting strangulation or crushing, ominous whirlpools, and treacherous quicksands also abound in pictures from the time of wars, revolutions, and political crises. The juxtaposition of paintings from non-ordinary states of consciousness that depict perinatal experiences with the historical pictorial documentation collected by Lloyd de Mause and Sam Keen offer strong evidence for the perinatal roots of human violence.”

“Perinatal phenomena occur in four distinct experiential patterns, which I call the Basic Perinatal Matrices (BPMs). Each of the four matrices is closely related to one of the four consecutive periods of biological delivery. At each of these stages, the baby undergoes experiences that are characterized by specific emotions and physical feelings; each of these stages also seems to be associated with specific symbolic images. These come to represent highly individualized pyschospiritual blueprints that guide the way we experience our lives. They may be reflected in individual and social psychopathology or in religion, art, philosophy, politics, and other areas of life. And, or course, we can gain access to these psychospiritual blueprints through non-ordinary states of consciousness, which allow us to see the guiding forces of our lives much more clearly.”

“In an effort to find an explanation, he or she might attribute the ominous feelings to poisons, electromagnetic radiation, evil forces, secret organizations, or even extraterrestrial influences. The spontaneous emergence of memories involving intrauterine disturbances or of the onset of the delivery from the womb, seems to be among important causes of paranoid states.”

“The key experiential approach I now use to induce non-ordinary states of consciousness and gain access to the unconscious and superconscious psyche is Holotropic Breathwork, which I have developed jointly with Christina over the last fifteen years. This seemingly simple process, combining breathing, evocative music and other forms of sound, body work, and artistic expression, has an extraordinary potential for opening the way for exploring the entire spectrum of the inner world.”

“The renaissance of interest in Eastern spiritual philosophies, various mystical traditions, meditation, ancient and aboriginal wisdom, as well as the widespread psychedelic experimentation during the stormy 1960s, made it absolutely clear that a comprehensive and cross-culturally valid psychology had to include observations from such areas as mystical states; cosmic consciousness; psychedelic experiences; trance phenomena; creativity; and religious, artistic, and scientific inspiration.”

“The experiences of BPM I typically have strong mystical overtones; they feel sacred or holy. More precise, perhaps, would be the term numinous, which C.G. Jung used to avoid religious jargon. When we have experiences of this kind, we feel that we have encountered dimnensions of reality that belong to a superior order.”

“In mapping out the transpersonal realm, I found it useful to think in terms of the following three experiential regions: (1) an expansion or extension of consciousness within the everyday concept of time and space; (2) an expansion or extension of consciousness beyond the everyday concept of time and space; and (3) "psychoid" experiences.”