“What we call creative work, Ought not to be called work at all because it isn't. I imagine that Thomas Edison never did a days work in the last fifty years.”

Stephen B.Leacock
Dreams Neutral

Explore This Quote Further

Quote by Stephen B.Leacock: “What we call creative work, Ought not to be call… - Image 1

Similar quotes

“Hard work is what you do to make ends meet, easy work is getting others to do the hard work for you.”


“I used to tell interviewers that I wrote every day except for Christmas, the Fourth of July, and my birthday. That was a lie. I told them that because if you agree to an interview you have to say something, and it plays better if it’s something at least half-clever. Also, I didn’t want to sound like a workaholic dweeb (just a workaholic, I guess). The truth is that when I’m writing, I write every day, workaholic dweeb or not. That includes Christmas, the Fourth, and my birthday (at my age you try to ignore your goddam birthday anyway). And when I’m not working, I’m not working at all, although during those periods of full stop I usually feel at loose ends with myself and have trouble sleeping. For me, not working is the real work.”


“Running a close second [as a writing lesson] was the realization that stopping a piece of work just because it's hard, either emotionally or imaginatively, is a bad idea. Sometimes you have to go on when you don't feel like it, and sometimes you're doing good work when it feels like all you're managing is to shovel shit from a sitting position.”


“All the works of man have their origin in creative fantasy. What right have we then to depreciate imagination.”


“When creative people do their best work, they're hardly ever in charge, they're just sort of rolling along with their eyes shut yelling wheee.”


“Once I start work on a project, I don’t stop and I don’t slow down unless I absolutely have to. If I don’t write every day, the characters begin to stale off in my mind – they begin to seem like characters instead of real people. The tale’s narrative cutting edge starts to rust and I begin to lose my hold on the story’s plot and pace. Worst of all, the excitement of spinning something new begins to fade. The work starts to feel like work, and for most writers that is the smooch of death.”