“...are you a person with volition and maybe some stubbornness and at least the capacity if not the actual determination to do something surpring or are you a tool? A tool just serves it's user, and it's not good for anything else. So if you want to accomplich something special -something more than you can do for yourself - you can't use a tool. You have to use a person and hope the surprises will work in your favor. You have to use something that's free to not be what you had in mind.”

“...are you a person - with volition and maybe some stubborness and at least the capacity if not the actual determination to do something surprising - or are you a tool? A tool just serves its user. It's only as good as the skill of its user, and its not good for anything else. So if you want to accomplish something special - something more than you can do for yourself - you can't use a tool. You have to use a person and hope the surprises will work in your favor. You have to use something that's free to not be what you had in mind.”

“It's best to have your tools with you. If you don't, you're apt to find something you didn't expect and get discouraged.”

“But it's writing, damn it, not washing the car or putting on eyeliner. If you can take it seriously, we can do business. If you can't or won't, it's time for you to close the book and do something else. Wash the car, maybe.”

“It's great that you can listen and be a shoulder to someone, but what about when someone doesn't need a shoulder? What if they need the arms or something like that? You can't just sit there and put everybody's lives ahead of yours and think that counts as love. You just can't. You have to do things.”

“Get the paper quick, maybe it's there... I read the paper with my eyes (that's not mistake: My eyes are like a pen now, or a calculator, something you hold in your hands, something you feel is not you- a tool).”

“The tools are real. The viewer is real, you, the artist, is real and a part of everything you paint. You connect yourself to the viewer by sharing something that is inside of you that connects with something inside of him. All you have as your guide is that you know what moves you. All you have to do it with is a brush, some chemical and canvas, and technique.”