“And you may make revelations that cost you dearly only to have people look at you in a funny way, not understanding what you've said at all, or why you thought it was so important that you almost cried while you were saying it. ”

“The most important things are the hardest to say. They are the things you get ashamed of, because words diminish them -- words shrink things that seemed limitless when they were in your head to no more than living size when they're brought out. But it's more than that, isn't it? The most important things lie too close to wherever your secret heart is buried, like landmarks to a treasure your enemies would love to steal away. And you may make revelations that cost you dearly only to have people look at you in a funny way, not understanding what you've said at all, or why you thought it was so important that you almost cried while you were saying it. That's the worst, I think. When the secret stays locked within not for want of a teller but for want of an understanding ear.”

“You have the right to remain silent,' the big cop said in his robot's voice. 'If you do not choose to remain silent, anything you say may be used against you in a court of law. You have the right to an attorney. I'm going to kill you. If you cannot afford an attorney, one will be provided for you. Do you understand your rights as I have explained them to you?”

“The only problem with him and Henry was they were like Charlie Brown and Lucy. The only difference was once in a while Henry would hold onto the football so Eddie could kick it--not often, but once in a while. Eddie had even thought, when in one of his heroin dazes, that he ought to write Charles Schultz a letter. Dear Mr. Schultz, he would say. You're missing a bet by ALWAYS having Lucy pull the football up at the last second. She ought to hold it down there once in a while. Nothing Charlie Brown could ever predict, you understand.Sometimes she'd maybe hold it down for him to kick three, even four times in a row, then nothing for a month, then once, and then nothing for three or four days, and then, you know, you get the idea. That would REALLY fuck the kid up, you know?”

“King looked back at Roland. "As The Man With No Name--a fantasy version of Clint Eastwood--you were okay. A lot of fun to partner up with.""Is that how you think of it?""Yes. But then you changed. Right under my hand. It got so I couldn't tell if you were the hero, the antihero, or no hero at all. When you let the kid drop, that was the capper.""You said you made me do that."Looking Roland straight in the eyes--blue meeting blue amid the endless choir of voices--King said, "I lied, brother.”

“I hope you liked them, Reader; that they did for you what any good story should do--make you forget the real stuff weighing on your mind for a little while and take you away to a place you've never been. It's the most amiable sort of magic I know.”

“There are always worse things waiting. You think you have seen the most terrible thing, the one that coalesces all your nightmares into a freakish horror that actually exists, and the only consolation is that there can be nothing worse. Even if there is, your mind will snap at the sight of it, and you will know no more. But there is worse, your mind does not snap, and somehow you carry on. You might understand that all the joy has gone out of the world for you, you might wish you were the one who was dead - but you go on. You might realize that you are in a hell of your own making, but you go on nevertheless. Because there is nothing else to do.”