“I don't want to hear the scary part. But at the same time she does want to hear the scary part, everyone wants to hear the scary part, we're all mad here, and her mother really did say that if you told your dreams they wouldn't come true, which meant you were supposed to tell the nightmares and save the good ones for yourself, hide them like a tooth under the pillow.”

“But listen to me, all three of you, n hear this if you don't hear nothing else: everything I did, I did for love . . . the love a natural mother feels for her children. That's the strongest love there is in the world, and it's the deadliest. There's no bitch on earth like a mother frightened for her kids.”

“A time will come when it won’t pass.’The gunslinger made no reply, for he knew this was true. The trap had a ghastly perfection. If someone told you you’d go to hell if you thought about seeing your mother naked (once when the gunslinger was very young he had been told this very thing), you’d eventually do it. And why? Because you did not want to imagine your mother naked. Because you did not want to go to hell. Because, if given a knife and a hand in which to hold it, the mind would eventually eat itself. Not because it wanted to; because it did not want to.”

“I wanted to say goodbye to someone, and have someone say goodbye to me. The goodbyes we speak and the goodbyes we hear are the goodbyes that tell us we´re still alive.”

“Maybe Shooter was a writer. He fulfilled both of the main requirements: he told a tale you wanted to hear to the end, even if you had a pretty good idea what the end was going to be, and he was so full of shit he squeaked. ”

“The goodbyes we speak and the goodbyes we hear are the good byes that tell us we're still alive.”

“She nods. You're good for the ones you love. You want to be good for the ones you love, because you know that your time with them will end up being too short, no matter how long it is.”