“I’m not particularly keen on writing which exhaustively describes the physical characteristics of the people in the story and what they’re wearing… I can always get a J. Crew catalogue… …So spare me, if you please, the hero’s ‘sharply intelligent blue eyes’ and ‘outthrust determined chin’.”

“I’m often asked if I think the beginning writer of fiction can benefit from writing classes or seminars. The people who ask are, all too often, looking for a magic bullet or a secret ingredient or possibly Dumbo’s magic feather, none of which can be found in classrooms or at writing retreats, no matter how enticing the brochures may be.”

“I think the best stories always end up being about the people rather than the event, which is to say character-driven.”

“I’m the Turtle, son. I made the universe, but please don’t blame me for it; I had a belly-ache.”

“I’m so afraid that all I can reach will lead me to all I dare not see.”

“No, you're not getting exhausted yet, Garraty." [Stebbins] jerked a thumb at Olson's silhouette. "That's exhausted. He's almost through now."Garraty watched Olson, fascinated, almost expecting him to drop at Stebbins's word. "What are you driving at?""Ask your cracker friend, Art Baker. A mule doesn't like to plow. But he likes carrots. So you hang a carrot in front of his eyes. A mule without a carrot gets exhausted. A mule with a carrot spends a long time being tired. You get it?""No."Stebbins smiled again. "You will. Watch Olson. He lost his appetite for the carrot. He doesn't quite know it yet, but he has. Watch Olson, Garraty. You can learn from Olson."Garraty looked at Stebbins closely, not sure how seriously to take him. Stebbins laughed aloud. His laugh was rich and full-a startling sound that made other Walkers turn their heads. "Go on. Go talk to him, Garraty. And if he won't talk, just get up close and have a good look. It's never too late to learn.”

“When you write you tell yourself a story. When you rewrite you take out everything that is NOT the story.”