“I've always been able to say what I meant! It's a writer's job to carve with language, to hew close to the bone, so why can't I saw what it feels like?”

“I've always been able to see you," I say. "It's a rather lovely view.”

“I felt melancholy, I felt joy, I felt dread, I felt a sadness so deep it cannot be described in words. I felt emotions that have not been given names, I felt emotions that have been given the wrong names, I saw what it meant to feel and I saw that it was all the same feeling and I felt big feelings, the old feelings, the ones before language, before the mind had language, before the mind had learned to tell a fake story called consciousness and developed anxiety when it invented time, and danger, and risk, and probability, and the future.”

“Why can't you understand that I love you so much, that not being able to touch you hurts? I can't stand the fact that I can't get into your thoughts. Haventon is gone to you, but it's also gone to me. I miss it so much. It feels like my heart's been ripped out from my chest.”

“Why, Jon, why?" his mother asked. "Why is it so hard to be like the rest of the flock, Jon? Why can't you leave low flying to the pelicans, the alhatross? Why don't you eat? Son, you're bone and feathers!" "I don't mind being bone and feathers mom. I just want to know what I can do in the air and what I can't, that's all. I just want to know.”

“I'm thirty-six years old and I've been married once and he left and I don't want to feel this way anymore. Like I can't be vulnerable. Can't relax. It's exhausting, always being on the defensive, keeping my guard up. I feel like Cuba.”