“Most books about writing are filled with bullshit. Fiction writers, present company included, don’t understand very much about what they do—not why it works when it’s good, not why it doesn’t when it’s bad.”

“This is a short book because most books about writing are filled with bullshit.”

“Good description is a learned skill, one of the prime reasons why you cannot succeed unless you read a lot and write a lot. It’s not just a question of how-to, you see; it’s also a question of how much to. Reading will help you answer how much, and only reams of writing will help you with the how. You can learn only by doing.”

“Writing fiction, especially a long work of fiction can be difficult, lonely job; it’s like crossing the Atlantic Ocean in a bathtub. There’s plenty of opportunity for self-doubt.”

“Those are the only to verbalizations usually that we make in movies—either to scream or to laugh—because those two reactions are rather close. Most things we laugh at are things that are really horrible, when you think about them. It’s funny and you don’t scream, as long as it’s not you. If it’s somebody else you can laugh.”

“But none of them taught me the things I learned from Carrie White. The most important is that the writer’s original perception of a character or characters may be as erroneous as the reader’s. Running a close second was the realization that stopping a piece of work just because it’s hard, either emotionally or imaginatively, is a bad idea. Sometimes you have to go on when you don’t feel like it, and sometimes you’re doing good work when it feels like all you’re managing is to shovel shit from a sitting position.”

“Outlines are the last resource of bad fiction writers who wish to God they were writing masters' theses.”