“Once I start work on a project, I don’t stop and I don’t slow down unless I absolutely have to. If I don’t write every day, the characters begin to stale off in my mind – they begin to seem like characters instead of real people. The tale’s narrative cutting edge starts to rust and I begin to lose my hold on the story’s plot and pace. Worst of all, the excitement of spinning something new begins to fade. The work starts to feel like work, and for most writers that is the smooch of death.”

“Mrs Chadwick used to say the same about my English, about going round the houses. But to be honest, I like going round the houses. And as for beginning at the beginning, the reason I never start there is that I don’t know where the beginning is, and that’s the honest truth. And anyway, I’ve never known anything in my whole life that ever started at the beginning. Things aren’t like that. They usually start about halfway through, or near the end, and then work their way backwards, that’s how must things are.”

“And at the start of every new day, I still believed I could choose my own beginning, one that was scrubbed clean of everything past”

“I read and write for character. If I like and can relate to the characters in a story I can enjoy any kind of story. I also want something with a definitive plot—you know, beginning, middle and end--that has forward motion. I don’t like series books that leave you hanging after you’ve finished a book and in my own fiction I try to make sure that there’s always an entry point for those who are new to the book as well as long-time readers.”

“The depressing majority of comics seem to be about violence of one sort or another, [...] And I just don’t enjoy violence. I can see that narratively it is often a powerful spike in a story, but I certainly don’t want to dwell on it. I don’t want it in my real life, I don’t find violence entertaining in and of itself, or exciting, or funny.But sex is happily part of most people’s lives, and crosses the mind most days, I would say, even if it’s just watching your partner get out of bed in the morning. [...] Most pornography is pretty awful. I mean, it does the job at the most utilitarian level, but it rarely excites other areas of the mind, or the eye. It’s repetitive, bland and often a bit silly. I was interested in trying to do something that has an aesthetic beauty to it if possible, and something that tickles the intellect as well as the more basic areas of the mind. Maybe that’s not possible, and as soon as you start to think too much, it stops working as pornography. I don’t think so, but I guess it’s in the eye and mind of the viewer.”

“In a story, you can turn to the front and begin again and everyone lives once more. That doesn't work in real life. And I love my real people the most.”