“She knew with suddeness and ease that this moment would be with her always, within hand's reach of memory.She doubted if they all sensed it - they had seen the world - but even George was silent for a minute as they looked, and the scene, the smell, even the sound of the band playing a faintly recognisable movie theme, was locked forever in her, and she was at peace.”

“Deep inside her (ih her harrowed soul) she felt a glowing ember of fury at the man responsible for this. Tha man who had put her in this position. She looked at the pistol lying beside the basin, and knew that if he were here, she would use it on him without a moment's hesitation. Knowing that made her feel confused about herself. It also made her feel a little stronger.”

“Party lights hang over the street, yellow and red and green. Sadie stumbles over someone’s chair, but I’m ready for this and I catch her easily by the arm.“Sorry, clumsy,” she says.“You always were, Sadie. One of your more endearing traits.”Before she can ask about that I slip my arm around her waist. She slips hers around mine, still looking up at me. The lights skate across her cheeks and shine in her eyes. We clasp hands, fingers folding together naturally, and for me the years fall away like a coat that’s too heavy and too tight. In that moment, I hope on thing above all others: that she was not too busy to find at least one good man …She speaks in a voice almost too low to be heard over the music. But I hear her – I always did. “Who are you, George?”“Someone you knew in another life, honey.”

“She didn't see him at first. She was watching the dancers. Her color was high, and there were deep dimples at the corners of her mouth. She looked nine miles out of place, but he had never loved her more. This was Willa on the edge of a smile.”

“At the end of her life she was aware of heat but not pain. She had time to consider his eyes, eyes of that blue which is the color of the sky at first light of the morning. She had time to think of him on the Drop, riding Rusher flat out with his black hair flying back from his temples and his neckerchief rippling; to see him laughing with an ease and freedom he would never find again in the long life which stretched out for him beyond hers, and it was his laughter she took with her as she went out, fleeing the light and heat in to the silkly, consoling dark, calling to him over and over as she went, calling bird and bear and hare and fish.”

“She was smart and terribly determined, this girl-her will was pure steel, through and through-but she was as human as anyone else. She was lonely, too. Lonely in a way that perhaps only single girls fresh from small Midwestern towns know. Homesickness is not always a vague, nostalgic, almost beautiful emotion, although that is somehow the way we always seem to picture it in our mind. It can be a terribly keen blade, not just a sickness in metaphor but in fact as well. It can change the way one looks at the world; the faces one sees in the street look not just indifferent but ugly....perhaps even malignant. Homesickness is a real sickness- the ache of the uprooted plant.”

“He held her and rocked her, believing, rightly or wrongly, that Ellie wept for the very intractability of death, its imperviousness to argument or to a little girl’s tears; that she wept over its cruel unpredictability; and that she wept because of the human being’s wonderful, deadly ability to translate symbols into conclusions that were either fine and noble or blackly terrifying. If all those animals had died and been buried, then Church could die (any time!) and be buried; and if that could happen to Church, it could happen to her mother, her father, her baby brother. To herself. Death was a vague idea; the Pet Sematary was real. In the texture of those rude markers were truths which even a child’s hands could feel.”